She was beautiful in a land where all women were fair, a land where,
under the most favourable conditions that could be conceived, a race
of almost more than human strength and beauty had been evolved, and
she came of a family scarcely second in honour even to that of the
President, for she was the direct descendant in the fifth generation of
Alan Tremayne, first President of the Anglo-Saxon Federation, through
his son Cyril born two years after the daughter who had married the
first-born son of Natasha and Richard Arnold.
More than five years before she and Alan had plighted their
boy-and-girl troth on the eve of his departure on the fateful voyage
from which he had never returned, and of which no tidings had reached
Aeria until a few hours before. To the simple vow which her girlish
lips had then spoken she had remained steadfast even when, as the years
went by and still no tidings came of her lost lover, she, in common
with her own kindred, had begun to mourn him as dead.
It is true that she was in love rather with a memory than with a man,
yet with some natures such a love as this is stronger than any other,
more ideal and more lasting, and exempt from the danger of growing cold
in fruition. So strong was the hold that this ideal love had taken upon
her being that the idea of even accepting the love and homage of any
other man appeared as sacrilegious to her as the embrace of an earthly
lover would have seemed to a nun of the Middle Ages.
And so, with a single companion in her solitary state, she stood aside
and watched with patient, unregretful eyes the wedded happiness of her
more fortunate friends. This companion was Isma Arnold, Alan’s sister,
who had a double reason for doing as Alma had done.
Not only had she resolved never to marry while her brother’s fate
remained uncertain, but she, too, had also made her choice among the
youths of Aeria, and in such matters an Aerian girl seldom chose twice.
So she waited for Alexis as Alma did for Alan, hoping even against her
convictions, and keeping his memory undefiled in the sacred shrine of
her maiden soul.
No artist could have dreamed of a fairer picture than Alma standing
there on the terrace overlooking the stately city and the dark shining
lake at her feet. She was clad in soft, clinging garments of whitest
linen and finest silk of shimmering, pearly grey, edged with a dainty
embroidery of gold and silver thread.
Her dress, confined at the waist with a girdle of interlinked azurine
and gold, clothed without concealing the beauties of her perfect
form, and her hair, crowned by her crystal-winged coronet, flowed
unrestrained, after the custom of the maidens of Aeria, over her
shoulders in long and lustrous waves of dusky brown. There was a shadow
in the great deep grey eyes which looked up as though in mute appeal to
the starlight, the shadow of a sorrow which can never come to a woman
more than once.
Public-domain text, read in full here on John Shaqi.
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