American fiction -- 20th century; Prophecies -- Fiction
She did not belong in Rumley. That was the long and the short of it. The
greatest compliment ever paid to the holy state of matrimony was her
ability to stick it out for six long years. In her own peculiar way she
loved and respected her husband. But the bonds of love were not strong
enough to hold her. She was gay and blithe and impious; she loved life
even more than she loved love. The shackles hurt. So she slipped out of
them one day and left their symbols lying by the wayside in the shape of
a broken, bewildered man and a child of her own flesh, while she went
back to the world that was calling her to its arms.
Herbert Sage was stunned, bewildered.... She wrote him from Chicago at
the end of the first week of what was to have been a fortnight’s visit
to her mother. It was a long, fond letter in which she said she was not
coming back—at least, not for the present. She was leaving at once for
New York, where she had been promised a trial by one of the greatest of
American producers. A month later came a telegram from her saying she
was rehearsing a part in a new piece that was sure to be the “hit of the
season”—everybody said so, even the stage director who had the name of
being the biggest “gloom” in New York. It was a musical comedy, with a
popular comedian as the star, and she had a small part that was going to
be a big one before she got through with it—or so she said in her
joyous conceit.
“With my good looks, my voice, my figure and my ambition, Herby, I
cannot fail to get over. Everybody says I’ve got talent, and that dance
I used to do for you on week days when it wasn’t necessary to be
sanctimonious—well, they are all crazy about it. Before you know it, my
dear, you’ll be the husband of one of the most celebrated young women in
the United States and I’ll be cashing checks every week that will make
your whole year’s salary in that burg look like the change out of a
silver half dollar after you’ve bought two ten cent sodas at Fry’s drug
store. You will be proud of me, Herby, because I will take mighty good
care that you never have any reason to be ashamed of me or for me to be
ashamed of myself. You know what I mean. I don’t suppose I will say my
prayers as often as I did when you were around to remind me of them but
I will be a good girl just the same. Also a wise one.”
That was four years ago. Her confidence in herself had been justified,
and, for all we know, the same may be said of Herbert Sage’s confidence
in her. She had the talent, the voice, the beauty, and above all, the
magnetism, and so there was no holding her back. She was being
“featured” now, and there was talk of making a star of her. Her letters
to Herbert were not very frequent but they invariably were tender. Every
once in a while the press agent sent him a large batch of “notices,”
chiefly eulogistic; and regularly on little Jane’s birthday a good sized
check arrived for the youngster’s “nest egg.”
Public-domain text, read in full here on John Shaqi.
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