Oliver Twist; or, The Parish Boy's Progress. IllustratedDickens, Charles
General
Oliver Twist; or, The Parish Boy's Progress. Illustrated
Dickens, Charles
Bildungsromans; Boys -- Fiction; Criminals -- Fiction; Kidnapping victims -- Fiction; London (England) -- Fiction; Orphans -- Fiction
‘Stop thief! Stop thief!’ There is a magic in the sound. The
tradesman leaves his counter, and the car-man his waggon; the
butcher throws down his tray; the baker his basket; the milkman his
pail; the errand-boy his parcels; the school-boy his marbles;
the paviour his pickaxe; the child his battledore. Away they run,
pell-mell, helter-skelter, slap-dash: tearing, yelling, screaming,
knocking down the passengers as they turn the corners, rousing
up the dogs, and astonishing the fowls: and streets, squares, and
courts, re-echo with the sound.
‘Stop thief! Stop thief!’ The cry is taken up by a hundred voices,
and the crowd accumulate at every turning. Away they fly, splashing
through the mud, and rattling along the pavements: up go the
windows, out run the people, onward bear the mob, a whole audience
desert Punch in the very thickest of the plot, and, joining the
rushing throng, swell the shout, and lend fresh vigour to the cry,
‘Stop thief! Stop thief!’
‘Stop thief! Stop thief!’ There is a passion for _hunting_
_something_ deeply implanted in the human breast. One wretched
breathless child, panting with exhaustion; terror in his looks;
agony in his eyes; large drops of perspiration streaming down his
face; strains every nerve to make head upon his pursuers; and as
they follow on his track, and gain upon him every instant, they hail
his decreasing strength with joy. ‘Stop thief!’ Ay, stop him for
God’s sake, were it only in mercy!
Stopped at last! A clever blow. He is down upon the pavement; and
the crowd eagerly gather round him: each new comer, jostling and
struggling with the others to catch a glimpse. ‘Stand aside!’ ‘Give
him a little air!’ ‘Nonsense! he don’t deserve it.’ ‘Where’s the
gentleman?’ ‘Here his is, coming down the street.’ ‘Make room there
for the gentleman!’ ‘Is this the boy, sir!’ ‘Yes.’
Oliver lay, covered with mud and dust, and bleeding from the mouth,
looking wildly round upon the heap of faces that surrounded him,
when the old gentleman was officiously dragged and pushed into the
circle by the foremost of the pursuers.
‘Yes,’ said the gentleman, ‘I am afraid it is the boy.’
‘Afraid!’ murmured the crowd. ‘That’s a good ‘un!’
‘Poor fellow!’ said the gentleman, ‘he has hurt himself.’
‘_I_ did that, sir,’ said a great lubberly fellow, stepping forward;
‘and preciously I cut my knuckle agin’ his mouth. I stopped him,
sir.’
The fellow touched his hat with a grin, expecting something for
his pains; but, the old gentleman, eyeing him with an expression of
dislike, look anxiously round, as if he contemplated running away
himself: which it is very possible he might have attempted to do,
and thus have afforded another chase, had not a police officer (who
is generally the last person to arrive in such cases) at that moment
made his way through the crowd, and seized Oliver by the collar.
‘Come, get up,’ said the man, roughly.
Public-domain text, read in full here on John Shaqi.
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