Bildungsromans; Boys -- Fiction; Criminals -- Fiction; Kidnapping victims -- Fiction; London (England) -- Fiction; Orphans -- Fiction
What was Oliver’s horror and alarm as he stood a few paces off, looking
on with his eyelids as wide open as they would possibly go, to see the
Dodger plunge his hand into this old gentleman’s pocket, and draw from
thence a handkerchief which he handed to Charley Bates, and with which
they both ran away round the corner at full speed!
In one instant the whole mystery of the handkerchiefs, and the watches,
and the jewels, and the Jew, rushed upon the boy’s mind. He stood
for a moment with the blood so tingling through all his veins from
terror, that he felt as if he were in a burning fire; then, confused
and frightened, he took to his heels, and, not knowing what he did,
made off as fast as he could lay his feet to the ground.
This was all done in a minute’s space, and the very instant that Oliver
began to run, the old gentleman putting his hand to his pocket, and
missing his handkerchief, turned sharp round. Seeing the boy scudding
away at such a rapid pace, he very naturally concluded him to be the
depredator, and, shouting “Stop thief!” with all his might, made off
after him, book in hand.
But the old gentleman was not the only person who raised the
hue-and-cry. The Dodger and Master Bates, unwilling to attract public
attention by running down the open street, had merely retired into the
very first doorway round the corner. They no sooner heard the cry, and
saw Oliver running, than, guessing exactly how the matter stood, they
issued forth with great promptitude, and, shouting “Stop thief!” too,
joined in the pursuit like good citizens.
Although Oliver had been brought up by philosophers, he was
not theoretically acquainted with their beautiful axiom that
self-preservation is the first law of nature. If he had been, perhaps
he would have been prepared for this. Not being prepared, however,
it alarmed him the more; so away he went like the wind, with the old
gentleman and the two boys roaring and shouting behind him.
“Stop thief!—stop thief!” There is a magic in the sound. The
tradesman leaves his counter, and the carman his waggon; the butcher
throws down his tray, the baker his basket, the milk-man his pail,
the errand-boy his parcels, the schoolboy his marbles, the paviour
his pick-axe, the child his battledore. Away they run, pell-mell,
helter-skelter, slap-dash, tearing, yelling, and screaming, knocking
down the passengers as they turn the corners, rousing up the dogs, and
astonishing the fowls; and streets, squares, and courts re-echo with
the sound.
“Stop thief!—stop thief!” The cry is taken up by a hundred voices, and
the crowd accumulate at every turning. Away they fly, splashing through
the mud, and rattling along the pavements; up go the windows, out run
the people, onward bear the mob; a whole audience desert Punch in the
very thickest of the plot, and, joining the rushing throng, swell the
shout, and lend fresh vigour to the cry, “Stop thief!—stop thief!”
Public-domain text, read in full here on John Shaqi.
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