The policeman led Paul Grayson from the hall amid a complete quietness. Only when they were beyond the curtain and heading towards the stage door did the buzz of outraged conversation start, almost covering the pounding of Thorndyke's gavel. Then the outer door closed behind them and the noise was cut off. Something in Paul's inner mind felt grateful that the car awaiting was a standard model of police car instead of the traditional patrol wagon. There is something even more damning in being carted away in the paddy-wagon. The completely stunning abruptness; the positive cliff of success from which he had fallen into the chasm of absolute futility shocked Paul into a feeling of unreality. He felt like an outsider, watching a complete stranger being led in docility towards a police car by a uniformed policeman, obviously the perpetrator of some outrageous, illegal, immoral, unethical act. He could not identify this illicit individual with himself. It was a horrible dream-- And in this dreamlike state, Paul took note of a series of completely _non-sequitur details_ which his mind recorded in minute detail. He noted a woman in an outlandish hat; a man in tuxedo with a wrinkle across the facade of his boiled shirt. The sidewalk was rough under his feet. The street was asphalt instead of concrete. Mars and Venus were in quadrature--it must be quite early because Venus sets not too many hours after Sol. There was a light blanked out in an electric sign advertising some obscure brand of cigarettes--Merr cool--and Paul wondered quickly whether the missing space represented 'y' 'i' or 'o' because he did not smoke that brand. A convertible coupe roared past with a redhead's hair blowing back, there was a dent in the left-front hubcap. The police squad car was Number 17. A woman that Paul instantly catalogued as the Boston-Type Dowager sniffed and turned away. A girl giggled as her boy friend led her towards a cocktail lounge. The handcuffs jangled and caused more attention than the presence of the policeman. Down the street a theatre marquee flashed, advertising a stage production called 'The Bright Young Man!' As it caught Paul's eye, the box office closed and the theatre marquee went dark-- Then having noted more of his urban surroundings during thirteen seconds spent in crossing a sidewalk than he had in several years of living there, Paul found himself installed in the front seat of the police car between two burly officers. Paul was not a small man but he felt like a midget between them. There was no noticeable grinding of gears nor jerkiness as the car swooped away from the curb, and the siren wailed to clear the street before them. Expertly the driver maneuvered through a red light and turned against traffic, swerving in and among the hesitant cars like a fencer.