Ormond; Or, The Secret Witness. Volume 3 (of 3)Brown, Charles Brockden
History
Ormond; Or, The Secret Witness. Volume 3 (of 3)
Brown, Charles Brockden
Gothic fiction; Philadelphia (Pa.) -- History -- 19th century -- Fiction; Young women -- Fiction
The time prefixed by Ormond for the termination of his absence had
nearly arrived. Her resolutions respecting this man, lately formed, now
occurred to her. Her heart drooped as she revolved the necessity of
disuniting their fates; but that this disunion was proper could not
admit of doubt. How information of her present views might be most
satisfactorily imparted to him, was a question not instantly decided.
She reflected on the impetuosity of his character, and conceived that
her intentions might be most conveniently unfolded in a letter. This
letter she immediately sat down to write. Just then the door opened, and
Ormond entered the apartment.
She was somewhat, and for a moment, startled by this abrupt and
unlooked-for entrance. Yet she greeted him with pleasure. Her greeting
was received with coldness. A second glance at his countenance informed
her that his mind was somewhat discomposed.
Folding his hands on his breast, ho stalked to the window and looked up
at the moon. Presently he withdrew his gaze from this object, and fixed
it upon Constantia. He spoke, but his words were produced by a kind of
effort.
"Fit emblem," he exclaimed, "of human versatility! One impediment is
gone. I hoped it was the only one. But no! the removal of that merely
made room for another. Let this be removed. Well, fate will interplace a
third. All our toils will thus be frustrated, and the ruin will finally
redound upon our heads." There he stopped.
This strain could not be interpreted by Constantia. She smiled, and,
without noticing his incoherences, proceeded to inquire into his
adventures during their separation. He listened to her, but his eyes,
fixed upon hers, and his solemnity of aspect, were immovable. When she
paused, he seated himself close to her, and, grasping her hand with a
vehemence that almost pained her, said,--
"Look at me; steadfastly. Can you read my thoughts? Can your discernment
reach the bounds of my knowledge and the bottom of my purposes? Catch
you not a view of the monsters that are starting into birth _here_?"
(and he put his left hand to his forehead.) "But you cannot. Should I
paint them to you verbally, you would call me jester or deceiver. What
pity that you have not instruments for piercing into thoughts!"
"I presume," said Constantia, affecting cheerfulness which she did not
feel, "such instruments would be useless to me. You never scruple to say
what you think. Your designs are no sooner conceived than they are
expressed. All you know, all you wish, and all you purpose, are known
to others as soon as to yourself. No scruples of decorum, no foresight
of consequences, are obstacles in your way."
"True," replied he; "all obstacles are trampled under foot but one."
"What is the insuperable one?"
Public-domain text, read in full here on John Shaqi.
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