Authors -- Fiction; Ghosts -- Fiction; Love stories; World War, 1914-1918 -- Veterans -- Fiction
I haven't seen the old painter again--I call him painter simply because
he wore that long robe. And I haven't seen the young guy again. But I
see Lutetia all the time. She comes and goes. Sometimes when I enter the
living-room, I find her already there.... Sometimes when I leave it, I
know she enters by another door.... We spend long evenings together....
I can't write when she's about; but curiously enough I can sometimes
read; that is to say, I can read Lutetia. I try to read because moments
come when I realize that she prefers me not to look at her. It's when
she's exhausted from trying to give me her message. Or when she's
girding herself up for another go. At those moments, the room is full of
a frightful struggle; a gigantic spiritual concentration. It seems to me
I could not look even if she wanted me. Oh, how she tries, Spink! It
wrings my heart. She's so helpless, so hopeless--so gentle, so tender,
so lovely! It's all my own stupidity. The iron-wall stupidity of flesh
and blood. Perhaps, if I were to kill myself--and I think I could do
that for her.... Only she doesn't want me to do that.... But what does
she want me to do? If I could only....
* * * * *
Lindsay had written steadily the whole evening; written at a violent
speed and with a fierce intensity. Now his speed died down. His hands
dropped from the typewriter. That mental intensity evaporated. He became
aware....
He was not alone.
The long living-room was doubly cheerful that night. The inevitable
tracks of living had begun to humanize it. A big old bean-pot full of
purple iris sat on one end of the refectory table. Lindsay's books and
notebooks; his paper and envelopes; his pens and pencils sprawled over
the length of table between him and the iris. That the night was a
little cool, Lindsay had seized as pretext to build a huge fire. The
high, jagged flames conspired with the steady glow of the big lamp to
rout the shadows from everywhere but the extreme corners.
No more than--after her coming--he was alone was Lutetia alone. It was,
Lindsay reflected, a picture almost as posed as for a camera. Lutetia
sat; and leaning against her, close to her knee, stood a pigtailed
little girl. She might have been listening to a story; for her little
ear was cocked in Lutetia's direction. That attitude brought to
Lindsay's observation a delicious, snub-nosed child profile. She gazed
unseeingly over her shoulder to a far corner. And Lutetia gazed straight
over the child's head at Lindsay--
They sat for a long time--a long long time--thus. The little girl's
vague eyes still fixed themselves on the shadows as on magic realms that
were being constantly unrolled to her. Lutetia's eyes still sought
Lindsay's. And Lindsay's eyes remained on Lutetia's; held there by the
agony of her effort and the exquisite torture of his own bewilderment.
Public-domain text, read in full here on John Shaqi.
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