The fog increased, hurrying and turning upon itself. Runnels of cooler
air began to pour through it, curling back the parted films against the
trees. Now and then one of these air-streams, deflected by the rim of
the Hollow, would rush up its outer slope, blowing leaves and dust like
a fountain, and, subsiding, leave us more sensible of warmth and ease,
in the thick leaf litter below the oaks.
Ravenutzi came over to Trastevera, who sat holding the Ward’s hand, and
stretched himself at her feet, smiling up at her his fawn’s smile. He
held up his hand between him and the pale smear of sunlight with one of
those slight, meaningful gestures so natural to him that it served as a
more delicate sort of speech: “Surely it seemed to say, to-day not even
I can cast a shadow?”
Trastevera, like one too deep in thought to rise to the surface of
words, smiled back. Not finding himself in disfavor, Ravenutzi ventured
a little more to lure her from disturbing meditation. He turned upon his
side, leaning on his elbow, and began to sing. His voice was mellow and
of a carrying quality, with a tang in it like the taste of the
honey-comb in wild honey. Some half-governed energy of passion kept it
under his breath as the warm earth was held under the smother of the
fog. It was a song of the Far-Folk, I know, for there were some words in
it not common to the Outliers, but it had their method of carrying the
mood in the movement and the mind of the singer, rather than in the
words.
“‘Oh, a long time.’
it said,
‘Have I been gathering lilies in the dawn-dim woodland.
‘Oh, long—long!’”
and ran on into a sound like the indrawing of breath before tears, and
began again:
“Scented and sweet is the house
And the door swings outward,
It is made fair with lilies:
But there are no feet on the trail to the house
And the door swings outward.
Long, O long, have I been gathering lilies.”
Just that, three times over; and the first time of the singing it was a
girl wreathing herself with flowers and looking down the trail, sure of
her lover but sighing for his delay. Then it was the tall woman I had
met in the wood, keeping her empty house with fierce loyalty through the
years of his hostage.
“Long, oh long, have I been gathering lilies!”
Finally it was a heart made fair with unrequited tendernesses, singing
to itself through all the unimpassioned years. Strangely it was I
singing that song and walking through it in a bewildered mist of pain.
Public-domain text, read in full here on John Shaqi.
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