I have been at some pains to make the account here given of the painter's works exhaustive. My opportunities of observation have been favourable, and yet, especially as no complete biography of the artist has hitherto been published, some minor works may have escaped my notice. Here, in conclusion, may fitly come a few additions. _The Raising of Lazarus_, the exquisite drawing of which, now in the Düsseldorf Academy, has already received notice, was, in 1822, painted in oils. _The Death of St. Joseph_, before mentioned, was, in 1838, reproduced for the private chapel of the newly created Bishop of Algiers. Also worthy of mention are cartoons of _The Twelve Apostles_ and of _The Four Evangelists_, for the Torlonia chapel at Castel Gondolfo; a design, _Christ teaching the Lord's Prayer_, for a window in the church of St. Katherine, Hamburg; sketches, including _The Coronation of the Virgin_, for a cathedral in Mexico; likewise drawings of the _Virtues_, also _Moses and the Daughters of Jethro_, the last engraved by Gruner, and then in England, belonging to Lord Hatfield. Also _The Vocation of St. John and St. James_, a pencil drawing in the possession of Baron Lotzbeck, Schloss Weihern, near Munich. This beautiful design has been chosen as one of the illustrations to this volume. Few masters have been so largely engraved as Overbeck; scarcely a picture or drawing of import exists that has not become thus widely diffused. By the artist's own hand are reproduced, on copper, _St. Philip Neri_, and a _Pilgrim_. In France were published the "Book of Hours," and "The Imitation of Christ," severally illustrated from designs by Overbeck. A pictorial art, chiefly reliant on form, and expressly intended for the teaching and saving of man, was fitly thus multiplied and disseminated.