Thus we see the natural-magic tendency of the human mind asserting itself. To some of us indeed this tendency is even greater in the case of the Snake than in that of the Tree. W. H. Hudson, in Far Away and Long Ago, speaks of "that sense of something supernatural in the serpent, which appears to have been universal among peoples in a primitive state of culture, and still survives in some barbarous or semi-barbarous countries." The fascination of the Snake--the fascination of its mysteriously gliding movement, of its vivid energy, its glittering eye, its intensity of life, combined with its fatal dart of Death--is a thing felt even more by women than by men--and for a reason (from what we have already said) not far to seek. It was the Woman who in the story of the Fall was the first to listen to its suggestions. No wonder that, as Professor Murray says, (1) the Greeks worshiped a gigantic snake (Meilichios) the lord of Death and Life, with ceremonies of appeasement, and sacrifices, long before they arrived at the worship of Zeus and the Olympian gods. (1) Four Stages of Greek Religion, p. 29. Or let us take the example of an Ear of Corn. Some people wonder--hearing nowadays that the folk of old used to worship a Corn-spirit or Corn-god--wonder that any human beings could have been so foolish. But probably the good people who wonder thus have never REALLY LOOKED (with their town-dazed eyes) at a growing spike of wheat. (1) Of all the wonderful things in Nature I hardly know any that thrills one more with a sense of wizardry than just this very thing--to observe, each year, this disclosure of the Ear within the Blade--first a swelling of the sheath, then a transparency and a whitey-green face within a hooded shroud, and then the perfect spike of grain disengaging itself and spiring upward towards the sky--"the resurrection of the wheat with pale visage appearing out of the ground." (1) Even the thrice-learned Dr. Famell quotes apparently with approval the scornful words of Hippolytus, who (he says) "speaks of the Athenians imitating people at the Eleusinian mysteries and showing to the epoptae (initiates) that great and marvelous mystery of perfect revelation--in solemn silence--a CUT CORNSTALK ([gr teqerismenon] [gr stacon])."--Cults of the Greek States, vol. iii, p. 182.