Christian antiquities -- Italy -- Rome; Rome (Italy) -- Antiquities
ARA INCENDII NERONIANI. In the month of July, A. D. 65, half Rome was
destroyed by the fire of Nero. The citizens, overwhelmed by the
greatness of the calamity, and ignorant of its true cause, made a vow
for the annual celebration of expiatory sacrifices, on altars
expressly constructed for the purpose in each of the fourteen regions
of the metropolis. The vow was, however, forgotten until Domitian
claimed its fulfilment some twenty or twenty-five years later. One of
these altars, which adjoined Domitian's paternal house on the
Quirinal, has just been found near the church of S. Andrea del
Noviziato, in the foundations of the new "Ministero della Casa
Reale."
The altar, six metres long by three wide, built of travertine with a
coating of marble, stands in the middle of a paved area of
considerable size. The area is lined with stone cippi, placed at an
interval of two and a half metres from one another. The following
inscription has been found engraved on two of them: "This sacred area,
marked with stone cippi, and enclosed with a hedge, as well as the
altar which stands in the middle of it, was dedicated by the emperor
Domitian in consequence of an unfulfilled vow made by the citizens at
the time of the fire of Nero. The dedication is made subject to the
following rules: that no one shall be allowed to loiter, trade, build,
or plant trees or shrubs within the line of terminal stones; that on
August 23 of each year, the day of the Volkanalia, the magistrate
presiding over this sixth region shall sacrifice on this altar a red
calf and a pig; that he shall address to the gods the following prayer
(text missing)." The inscription has been read twice: once towards the
end of the fifteenth century, when the cippus containing it was
removed to S. Peter's and made use of in the new building, and again
in 1644, when Pope Barberini was laying the foundations of S. Andrea
al Quirinale, one of the most graceful and pleasing churches of modern
Rome.
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Public-domain text, read in full here on John Shaqi.
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