American fiction -- 20th century; Manhattan (New York, N.Y.) -- Fiction; Women artists -- Fiction
That winter they met nearly every day. But she didn't invite him to
call at her home. He couldn't ask a reason for this strange omission.
My intentions are perfectly honourable. I've told her I wouldn't marry
the best woman even though she were the last of her sex on the globe.
I've also told her that a man should never live under the same roof
with his mistress; in that case what would be the difference between
marriage and concubinage; one would be as stupid as the other. Poor
Emma Bovary found out from experience that men and women bound by
any bond live in the land of platitudes. I told her--heaven forgive
my candor!--that I changed mistresses every three months, that the
instant I found myself falling in love with one I got a new one.
Boasts by a boaster. What is it that interests nice girls in irregular
lives? I wonder. The inside of a brothel is not so interesting as an
abatoir, where as Huysmans used to say--love is slain at a stroke,
and the stroke usually costs the man a twenty-franc piece. But these
girls don't realize the crudeness of such lives. Mystery. That's the
attraction. The unknown. Silly, miserable women who go to bed the same
night with a half dozen men--is that romantic! Demi-vierges, Marcel
Prévost called the American girls, for some reason best known to
himself. Yet I've met respectable married women who went to Paris crazy
to see the sights, that is, certain sights. The puberty of adultery?
Maxim's soon bored them. From the organized obscenities of Montmartre
they went to the "peep-holes" only to see another show staged for
imbeciles with a filthy curiosity. What is it? Mona, dear decent child,
agrees with me that promiscuous married life is the most deadly blow
of all to romance. She simply won't recognize evil as evil, only as
vulgarity--worse, as stupidity. I absolutely agree with her in that
matter.
Public-domain text, read in full here on John Shaqi.
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