Palæography: Notes upon the History of Writing and the Medieval Art of IlluminationQuaritch, Bernard
History
Palæography: Notes upon the History of Writing and the Medieval Art of Illumination
Quaritch, Bernard
Illumination of books and manuscripts; Paleography
Christianity was not so easily adopted in Scandinavia as in some other
countries. From the time of the first mission to its ultimate triumph at
least two centuries elapsed, and the result might have been still further
delayed if it had not been for the example of two royal proselytes, Olaf
Trygvason and St. Olaf, who belong to the first half of the eleventh
century. With the first introduction of Christianity, the Norse people also
received the script which they had found in use in England. The colonisers
of Iceland, in the ninth and tenth centuries, carried with them the
language and the writing of Scandinavia; and it was probably the remoteness
of that island from Norway which has caused the preservation in it, down to
the present {51}day, of the old Norse tongue (little modified by age) and
the Anglo-Saxon letters of the tenth century.
In Denmark, Sweden, and Norway, the influence of North Germany prevailed in
time over old national tradition, and the gothic hand of the thirteenth
century took the place of the special alphabet. By the time of the
Reformation the writing in Scandinavia had been wholly Teutonised (with
some exceptions too slight to need mention). The most remarkable part of
the change was the exclusion of the _th_ letter from the script of Sweden,
Norway, and Denmark. This tendency, which had for centuries been in growth,
had the remarkable effect of practically confining the old Norse literature
to Iceland, and of making it the apparent home of all the poems and Sagas
which Norway had produced. It was at least the home of most of the literary
men who in the twelfth, thirteenth, and fourteenth centuries wrote for the
delight of their kinsmen, in both Norway and Iceland. The great literary
activity in Iceland, at that time and afterwards, produced a large quantity
of MSS., usually written on vellum, and rudely decorated with painted
initials; but of those which remained in the country most have perished. A
relatively considerable number were, however, carried to Denmark in the
sixteenth and later centuries, and have been preserved in museums. Very few
yet remain in circulation, unsecured by public appropriation.
_The Slavonic Alphabet_
Public-domain text, read in full here on John Shaqi.
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