What is the nature of the protection secured? Copy-right, _i. e._, the right of copy--the right to make copies. According to the words of our own statute, the author of a book "shall have the _sole_ liberty of printing, reprinting, publishing, completing, copying, executing, finishing and vending the same." The _exclusive_ liberty of reproducing his work, and the restriction of the liberty of every one except the author to multiply copies constitute the literary property. It is a much-discussed question whether the author's privilege of copyright is a natural right or was created by legislation. Granting the production a proper one, it would seem that the author of a literary creation has a natural right to the unrestricted use and enjoyment of it. As Professor Langdell recently put it: "he has the right of use and enjoyment, because he can exercise such right without committing any wrong against any other person, and because no other person can prevent his exercising such right without committing a wrong against him." The author's creation is his own, and he has a natural right to the use of it without interference. The state does not create this right, but recognizes it and protects it. Protection is secured by restricting the liberty of other people in the use of the author's creation. Just how far this restriction should go is still a moot question. The law says, however, that you may not reproduce in whole or in part an author's book without his written consent, signed in the presence of two witnesses. It does not say that you may not read the book, nor are you forbidden to read it in public, even for profit, although in the case of musical and dramatic compositions public performance or representation for profit without the author's special--not implied--consent is not only directly prohibited, but is punishable by imprisonment. The International Publishers' Congress, which met in Paris in June, 1896, passed a resolution to the effect that the reproduction of a literary work by means of public readings, in case such readings were held for purposes of profit, ought not to be permitted without the consent of the copyright proprietor. By the Act of March 3, 1891, the exclusive right to translate or dramatize his book is reserved to the author. In this unrestricted and unlimited exclusive right of translation and dramatization our law has exceeded the usual trend of legislation in regard to the author's control over his work in these directions. Foreign legislation usually only reserves to the author the exclusive right to translate or dramatize for a limited fixed period of time, and if he has not himself produced a translation or dramatization within that period, another person may.