Country life -- Fiction; Dorset (England) -- Fiction; Short stories
“Ah, I knowed him well. Many a time he’s took out the glass eye to let
me see it. ’Twas a wonderful invention, an’ it cost I believe a sight o’
money. He didn’t wear it every day, but he allus put it in o’
market-days an’ Sundays. Ah, ’twas a curious thing to see en o’ Sundays,
lookin’ at parson so wide-awake wi’ the glass eye, while t’other maybe
was as drowsy as yours or mine mid be.”
“Well I never!” murmured Mrs. Fripp. “Somebody ought to tell young Locke
about it,” she added, as an afterthought.
“’Tisn’t exactly the kind o’ subject a body ’ud think o’ namin’ to the
pore man,” said the policeman, who was a person of refined feelings. “To
say ‘Good-day to ye, an’ why don’t ye get a glass eye?’ ’ud seem a bit
strange. Well, neighbours, I must be movin’ on. ’Tis a pity for the
pore chap; but we must feel grateful for him as Providence didn’t see fit
to try en no worse.”
On the next Sunday afternoon, after Lizzie had cleared away the dinner
things, and fed the chickens, and scrubbed the faces of her little
brothers and sisters previous to their departure for Sunday School, she
donned her white straw hat, with its big red rose nodding triumphantly
from a commanding position just over the centre of her forehead, pinned a
posy of carnations and jasmine and southern-wood in the bosom of her blue
dress, drew a new pair of cotton gloves over her plump hands, and sallied
forth up the street to call on Susan.
She found Mrs. Adlam with her Sunday gown pinned back over a striped
petticoat, her sleeves rolled up as high as Sunday sleeves would go, and
a further protection against possible accidents in the shape of a
large-bibbed apron shrouding the remainder of her Sabbath glories, hard
at work washing up.
“Good-day, Mrs. Adlam. I jest called round to see how Susan mid be.”
“Good-day, Lizzie. Susan’s very bad, thank ye. She’s layin’ on her bed
upstairs. Step up if you like.”
Lizzie stepped up, and found her friend reclining outside her patchwork
quilt, absorbed in the perusal of a “penny dreadful” of the most
thrilling type. Lizzie approached the bed, clumping sturdily with her
well-polished best boots.
“Bain’t ye agoin’ to see pore Tom?” she inquired, without wasting time on
preliminaries.
Susan looked up, startled: she had just got to that point in the
narrative when the heroine, drawing herself up to her full height,
informed the villain that she would be sooner clasped by a serpent than
permit herself to be degraded by his embrace.
“What? No, I’m not going to see Tom Locke. My nerves is much too upset.
Ye did give me a jump comin’ in that way, Lizzie.”
“He’ll be waiting up there for you to spaik to en.”
“Well, ’tisn’t my fault if he do. I never axed en to. I’m real fainty
an’ porely to-day, Lizzie; couldn’t so much as go to church. Sit down,
an’ let’s talk a bit. I seed yer father lookin’ arter me t’other night;
I was walkin’ so queer, wasn’t I? I expect he thought I was lookin’ real
bad.”
Public-domain text, read in full here on John Shaqi.
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