City and town life -- Fiction; Short stories, American
"Three years ago this Winter," says she, "only three short years ago,
every minute of the world that Russell had free, he wanted to spend with
me. That Winter before we were married, do you suppose that
anybody--_any_body could have got him to play billiards with him if he
could have been with me?"
I thought it over. "Well," I says, "no. Likely not. But then, you see,
he couldn't be with you every evening--and that just naturally give him
some nights off."
"'Some nights off,'" she says. "Oh, if you think _that_ is the way he
looks at it--There is no way in this world that I would rather spend my
evenings," she says, "than to sit here with my husband."
"Yes," I says, "I s'pose that's true. I s'pose that's true of most
wives. And it's something they've got to get over thinking is so
important."
She gasped. "Get over--" she says. "Then," says she, "they'll have to
get over loving their husbands."
"Oh, dear, no, they won't--no, they won't," says I. "But they'll have to
get over thinking that selfishness is love--for one thing. Most folks
get them awful mixed--I've noticed that."
But she broke down again, and was sobbing on the arm of the chair. "To
think," she says over, "that now it'll never, never be the same again.
From now on we're going to be just like other married folks!"
That seemed to me a real amazing thing to say, but I saw there wasn't
any use talking to her, so I just let her cry till it was time to go and
feed the baby. And then she sat nursing him, and breathing long, sobbing
breaths--and once I heard her say, "Poor, poor little Mother's boy!"
with all the accent on the relationship.
I walked back into the middle of the long, soft, wine-colored room,
trying to think if I s'posed I'd got so old that I couldn't help in a
thing like this, for I have a notion that there is nothing whatever that
gets the matter that you can't help some way if you're in the
neighborhood of it.
Delia was just shutting the outside door of the apartment. And she came
trotting in with her little, formal, front-door air.
"Two ladies to see you, Miss Marsh," she says. "Mis' Toplady and Mis'
Holcomb."
No sooner said than heard, and I flew to the door, all of a tremble.
"For the land and forevermore," says I. "Where from and what for?"
There they stood in the doorway, dressed, I see at first glance, in the
very best they'd got. Mis' Holcomb, that is the most backward-feeling of
any of our women, was a step behind Mis' Toplady, and had hold of her
arm. And Mis' Toplady was kind of tiptoeing and looking round cautious,
to see if something not named yet was all right.
"There ain't any company, is there?" she says, in a part-whisper.
"No," says I, "not a soul. Come on in."
"Well," says she, relaxing up on her bones, "I asked the girl, and she
says she'd see. What's the use of _being_ a hired girl if you don't know
who you've let in?"
Public-domain text, read in full here on John Shaqi.
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