Cathedral, Prague. TOMB-PLATE OF DUCHESS HELENE OF MECKLENBURG (Heraldic). Cathedral, Schwerin, 1528. TOMB OF ST. SEBALD. Described in Chap. IV. Signed, see p. 44. Made with the aid of his five sons. What share is due to each we have discussed in the text. St. Sebalduskirche, Nuremberg, 1508-1519. RATHAUS RAILING. By Peter Vischer and his sons, notably Hermann, Peter and Hans. Formerly in the Rathaus, Nuremberg. Destroyed 1806. 1515. PETER VISCHER THE YOUNGER MEDALLION PORTRAIT OF HIS BROTHER HERMANN. Inscription, “HERMANUS·VISCHER·M·CCCCCVII.” 1507. MEDALLION PORTRAIT OF HIMSELF. Inscription, “EGO PETR’[TN2] VISCHER MEUS ALTER. 22 ANO 1509.” 1509. MEDALLION PORTRAIT OF HERMANN VISCHER. Inscription, “HERMAN’[TN2] VISCHER. AN. 1511.” KING ARTHUR, TOMB OF MAXIMILIAN. Innsbruck 1513. INKSTAND. (α) Vase decorated with medallion heads and scroll work between which is repeated the emblem of the two fish, back to back, impaled with a dagger. A female figure, helmeted, stands by the vase, pointing to herself. A skull is thrust backward by her right foot. Against the vase rests a shield of quadrate form, and on the ground is a club and a label with the motto VITAM NON MORTEM RECOGITA, inscribed in relief. Fortnum Collection, Ashmolean Museum, Oxford, 1510(?). INKSTAND. (β) A female figure, pointing upwards, rests on an oviform vase. A round shield and sword lie upon the ground, behind the figure and vase. In the foreground is a skull. Against the vase rests a tablet on which runs the motto: VITAM NON MORTEM RECOGITA. Beneath these words is the emblem of the two fishes, back to back, impaled, with the initials P.V. The date, 1525, incised with emblem of cross and hook, on the base. Fortnum Collection, Ashmolean Museum, Oxford, 1525. ORPHEUS AND EURYDICE. Plaquette (Bas-Relief) In the Collection of M. Dreyfus. Paris, 1515(?) ORPHEUS AND EURYDICE. Plaquette (Bas-Relief). Berlin Museum, 1520 (circ.). ORPHEUS AND EURYDICE. Plaquette, as above. Museum, Hamburg, 1520 (circ.). ORPHEUS AND EURYDICE. Plaquette, as above. Institution of St. Paul, Carinthia, 1520 (circ.). All four plaquettes carry the sign of two fish back to back pierced by a nail.