'It's a lot of money, certainly, Artie,' said the old shoemaker, turning it over thoughtfully: 'two hundred pounds is a lot of money; but I doubt very much whether it's more than enough to keep you up to the standard of your own society, up there at Oxford. As John Stuart Mill says, these things are all comparative to the standard of comfort of your class. Now, Artie, I believe you have to stint yourself of things that everybody else about you has at Oxford, to keep me in luxuries I was never used to.' 'My dear Dad, it's only of the nature of a repayment,' cried Arthur, earnestly. 'You slaved and sacrificed and denied yourself when I was a boy to send me to school, without which I would never have got to Oxford at all; and you taught me music in your spare hours (when you had any); and I owe everything I have or am or ever will be to your unceasing and indefatigable kindness. So now you've got to take repayment whether you will or not, for I insist upon it. And if you won't come up to Oxford, which perhaps would be an uncongenial place for you in many ways, I'll tell you what I'll do, Daddy; I'll look out for a curacy somewhere in London, and we'll take a little house together, and I'll furnish it nicely, and there we shall live, sir, whatever you say, so not another word about it. And now I want you to listen to the very best thing I've ever composed, and tell me what you think of it.' He sat down to the little hired cottage piano that occupied the corner of the neat small room, and began to run his deft fingers lightly over the keys. It was the Butterfly fantasia. The father sat back in his red easy-chair, listening with all his ears, first critically, then admiringly, at last enthusiastically. As Arthur's closing notes died away softly towards the end, the old shoemaker's delight could be restrained no longer. 'Artie,' he cried, gloating over it, 'that's music! That's real music! You're quite right, my boy; that's far and away the best thing you've ever written. It's exquisite--so light, so airy, so unearthlike. But, Artie, there's more than that in it. There's soul in it; and I know what it means. You don't deceive your poor old Progenitor in a matter of musical inspiration, I can tell you. I know where you got that fantasia from as well as if I'd seen you getting it. You got it out of your own heart, my boy, out of your own heart. And the thing it says to me as plain as language is just this--you're in love! You're in love, Artie, and there's no good denying it. If any man ever wrote that fantasia without being in love at the time--first love--ecstasy--tremor--tiptoe of expectation--why, then, I tell you, music hasn't got such a thing as a tongue or a meaning in it.' Arthur looked at him gently and smiled, but said nothing. 'Will you tell me about her, Artie?' asked the old man, caressingly, laying his hand upon his son's arm.