[Footnote 54: Xen. Symp. viii. 24. The argument against the sensual is enforced with so much warmth that Sokrates is made to advert to the fact of his being elate with wine--[Greek: o(/ te ga\r oi)=nos sunepai/rei, kai\ o( a)ei\ su/noikos e)moi\ e)/rôs kentri/zei ei)s to\n a)nti/palon e)/rôta au)tou= par)r(êsia/zesthai.] The contrast between the customs of the Thebans and Eleians, and those of the Lacedæmonians, is again noted by Xenophon, Rep. Laced. ii. 13. Plato puts (Symp. 182) a like contrast into the mouth of Pausanias, assimilating the customs of Athens in this respect to those of Sparta. The comparison between Plato and Xenophon is here curious; we see how much more copious and inventive is the reasoning of Plato.] The Xenophontic Symposion closes with a pantomimic scene of Dionysus and Ariadnê as lovers represented (at the instance of Sokrates) by the Syracusan ballet-master and his staff. This is described as an exciting spectacle to most of the hearers, married as well as unmarried, who retire with agreeable emotions. Sokrates himself departs with Lykon and Kallias, to be present at the exercise of Autolykus.[55] [Footnote 55: Xen. Symp. viii. 5, ix. 7. The close of the Xenophontic Symposion is, to a great degree, in harmony with modern sentiment, though what is there expressed would probably be left to be understood. The Platonic Symposion departs altogether from that sentiment.] [Side-note: Platonic Symposion more ideal and transcendental than the Xenophontic.]