Plays, Acting and Music: A Book Of TheorySymons, Arthur
Philosophy
Plays, Acting and Music: A Book Of Theory
Symons, Arthur
Actors; Music -- History and criticism; Theater
Now look for a moment at the play by the amateur and the woman. It is
not a satisfactory play as a whole, it is not very interesting in all
its developments, some of the best opportunities are shirked, some of
the characters (all the characters who are men) are poor. But, in the
first place, it is well written. Those people speak a language which is
nearer to the language of real life than that used by Mr. Pinero, and
when they make jokes there is generally some humour in the joke and some
intelligence in the humour. They have ideas and they have feelings. The
ideas and the feelings are not always combined with faultless logic into
a perfectly clear and coherent presentment of character, it is true. But
from time to time we get some of the illusion of life. From time to time
something is said or done which we know to be profoundly true. A woman
has put into words some delicate instinct of a woman's soul. Here and
there is a cry of the flesh, here and there a cry of the mind, which is
genuine, which is a part of life. Miss Syrett has much to learn if she
is to become a successful dramatist, and she has not as yet shown that
she knows men as well as women; but at least she has begun at the right
end. She has begun with human nature and not with the artifices of the
stage, she has thought of her characters as people before thinking of
them as persons of the drama, she has something to say through them,
they are not mere lines in a pattern. I am not at all sure that she has
the makings of a dramatist, or that if she writes another play it will
be better than this one. You do not necessarily get to your destination
by taking the right turning at the beginning of the journey. The one
certain thing is that if you take the wrong turning at the beginning,
and follow it persistently, you will not get to your destination at all.
The playwright who writes merely for the stage, who squeezes the breath
out of life before he has suited it to his purpose, is at the best only
playing a clever game with us. He may amuse us, but he is only playing
ping-pong with the emotions. And that is why we should welcome, I think,
any honest attempt to deal with life as it is, even if life as it is
does not always come into the picture.
TOLSTOI AND OTHERS
Public-domain text, read in full here on John Shaqi.
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