Plays: Being: An unhistorical pastoral: A romantic farce: Bruce, a chronicle play: Smith, a tragic farce: and Scaramouch in Naxos, a pantomime. — John Shaqi
Plays: Being: An unhistorical pastoral: A romantic farce: Bruce, a chronicle play: Smith, a tragic farce: and Scaramouch in Naxos, a pantomime.
General
Plays: Being: An unhistorical pastoral: A romantic farce: Bruce, a chronicle play: Smith, a tragic farce: and Scaramouch in Naxos, a pantomime.
Drama
May. Where is your bubbling mirth that overflowed
In fresh, fantastic volume yester-eve?
If doleful thoughts should shadow any face,
My past might countenance such mirroring,
And see, I laugh; yea, by all merry things
Light-hearted am I! 'Tis the sun, I think.
Why are you sad? If you still raise your brows,
And stare so, like a spaniel, and unslack
The pressure of your lips, I'll think, indeed,
You mean to mimic my lost love, and steal
With stolen looks my heart.
Edmund. Am I like him?
May. When you look sad you are, and when you laugh,
I think he would have laughed so if he could.
Edmund. You think him dead.
May. Sometimes, and sometimes not.
Edmund. Say you were certain of his death, what then?
May. In weeds that widows wear I'd hide myself
In some far lonely land, and mourn for him
Among the hills and streams; and read his book;
And, feeding seld and spare, woo fickle death,
Who flirts with weaklings and bears off the strong,
For one cold kiss to take my soul to him.
Edmund. There is no man that's worthy of such love.
May. I think not of his worth or want of worth;
I love him. But if gentle manliness,
Beauty, and honour, and unsounded passion
Deserve a maid's devotion, my poor love
Is but a scanty tribute to his worth;
And--woe, alas!--its date of payment past,
And the robbed creditor far hence or dead,
Its garnered hoard weighs heavy on my heart.
Edmund. Fear not, fear not. There's something whispers me
Your love will be rewarded, in so far
As to possess your sweetheart can amend
The lengthy woe you suffer for his sake.--
Now, here's a thing to do to make you glad.
Suppose that I'm the true and true-loved earl:
I'll go into that grove, and suddenly
Emerging, light on you; and you will know me,
Or I will know you, or we'll know each other,
Or let our unthought act the instant mould.
May. O, in his story there's a scene like that!
I'm sitting reading in my sweetheart's book
A passage where he finds me reading it.
Edmund. A curious notion!
May. Shall we act that scene?
Edmund. Yes, if you please. But have you got the book?
May. Yes; here it is. Now hide; and I will change
To suit the place the passage.
Edmund. Very well.
[Goes out.
May [reading]. "Now it chanced that May Montgomery was resident in
this town at the very time of Edmund's arrival. One afternoon the
love-sick girl took her book to the glen, and sitting down in the shadow
of a tree endeavoured to alleviate her passion by reading aloud the scene
wherein her lover had represented her in just such a situation, and so
engaged. She had read over the description of herself lying on her mossy
couch, and her cheek was flushed with the anticipation of the interview
about to ensue in the narrative between her lover and herself, when the
branches rustled behind her and a voice----"
Edmund [within]. May Montgomery!
May.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account