Lüshun (China) -- History -- Siege, 1904-1905; Russo-Japanese War, 1904-1905
Halfway back we had passed a Chinese village, shattered by shells,
blackened by smoke, its tumbling walls utilized for the trench.
Earthen wine pots had been filled with shale and placed on the
sandbags to deceive the gunners beyond. Two days before there was
rain and in one part the trench was filled with muddy water. We
had to pick our way on submerged stones and planks. As I hurried
along, looking at my feet, I noticed that the water grew dull red
as though the wine pots above had burst. At that moment I stumbled
and caught the wall for steadiness. My hand struck something
flabby. I drew it back in horror and found sticking to the palm
a white piece of flesh dented with convolutions--a bit of human
brain. A pace away he lay, his feet toward me. A stray shell had
blown him off from brain base to nose bridge. He was still warm and
the officer called back shrilly for a soldier to come with pick and
shovel. Then we took notice of the shells bursting, some five miles
off, some a thousand yards away. This had happened within the hour.
As we came closer to the Dragon a stretcher was borne down by two
red cross men. A bullet had picked a private through a peephole.
Just ahead of us two soldiers were walking, one with his full
kit, rifle and shovel on his back, the other bareheaded and
barebacked. Both wore on their sleeves the two yellow stripes of
the distinguished soldier. The finger of the one who was to go was
held by the hand of the one who was to stay. Neither spoke. They
walked silently and slowly in the full sunlight. He of the full kit
was ordered into the thirty-minute trench to take the place of the
one who had passed out on the stretcher. He, too, is almost sure
to pass, ere long, the same way. As the two comrades walked toward
the place of death I saw how true Dickens is, for it was precisely
thus--finger in palm--that he sent Sydney Carton and the seamstress
to _la guillotine_ in “The Tale of Two Cities”; the one who was to
go clasping the finger of the one who was to stay, the one who was
to stay looking with kind, brave strength calmly into the face of
the one who was to go.
“Ah! Tragique!” cried D’Adda.
The officer said we might one at a time go into the front trench.
I started. It was a short climb over shale and debris of sundered
shells and of a sudden I hobbled into a hollow space, girt with
bags and silent, silent as is the place of execution the morning
of capital punishment. It was the redoubt, thrust into the air
like the maw of a dragon. The sun beat in beautiful and sure. The
rocks, with deadly glare, spat up their challenge. An occasional
bullet sang as a ripsaw tears through a pine knot. Then a machine
gun rattled and the shale beyond pattered. I was carried back to
a boiler factory and an automatic riveter. Of all war sounds that
of the machine gun is least poetic, is the most deadly; it has the
ring of business.
Public-domain text, read in full here on John Shaqi.
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