England -- Social life and customs -- 20th century -- Fiction; Families -- Fiction; Journalists -- Fiction
I was angry with Juke. He was taking the prudish, conventional point of
view. I had never yet been the victim of passion; love between men and
women had always rather bored me; it is such a hot, stupid, muddling
thing, ail emotion and no thought. Dull, I had always thought it; one of
those impulses arranged by nature for her own purposes, but not in the
least interesting to the civilised thinking being. Juke had no right to
speak as if I were an amorous fool, liable to be bowled over against my
better judgment.
'I've told you what I think,' said Juke bluntly. 'I can't do any more.
It's your own show.' He took out his watch. 'I've got a Men's Social,' he
said, and went. That is so like parsons. Their conversations nearly
always have these sudden ends. But I suppose that is not their fault.
5
And, after all, Juke was right. Juke was right. It was love, and I was in
it, and so was Jane. Five minutes after Juke left me that night I knew
that. I had been in love with Jane for years; perhaps since before the
war, only I had never known it. On that Anti-Potter investigation tour I
had observed and analysed her, and smiled cynically to myself at the
commercial instinct of the Potter twins, the lack of the fineness that
distinguished Katherine and Juke. I remembered that; but I remembered,
too, how white and round Jane's chin had looked as it pressed against the
thymy turf of the cliff where we lay above the sea. All through the war I
had seen her at intervals, enjoying life, finding the war a sort of lark,
and I had hated her because she didn't care for the death and torture of
men, for the possible defeat of her country, or the already achieved
economic, moral, and intellectual degradation of the whole of Europe. She
had merely profiteered out of it all, and had a good time. I remembered
now my anger and my scorn; but I remembered too the squareness and the
whiteness of her forehead under her newly-cut hair, that leave when I had
first seen it bobbed.
I had been moved by desire then without knowing it; I had let Hobart take
her, and still not known. The pang I had felt had been bitterness at
having lost Jane, not bitterness against Jane for having made a
second-rate marriage.
But I knew now. Juke's words, in retrospect, were like fire to petrol; I
was suddenly all ablaze.
In that case Juke was right, and we mustn't go on meeting alone. There
might be, as he said, the most ghastly mess. Because I knew now that Jane
was in love with me too--a little.
We couldn't go on. It was too second-rate. It was anti-social, stupid,
uncivilised, all I most hated, to let emotion play the devil with one's
reasoned principles and theories. I wasn't going to. It would be
sentimental, sloppy--'the world well lost for love,' as in a schoolgirl's
favourite novel, a novel by Leila Yorke.
Public-domain text, read in full here on John Shaqi.
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