English poetry -- 19th century -- History and criticism; Pre-Raphaelitism in literature
The young girl to please the king accepts the knight; a grand wedding
takes place at the king's castle; and the knight is made a great
noble, and is gifted with many rich estates. Then the king makes this
arrangement with the bride: "I will never visit you or allow you to
visit me, because we love each other too much. But, once every year,
when I go to hunt in the forest with your husband, you shall bring me a
cup of water, just as on the first day, when we saw you."
After this the king saw her three times;--that is to say, in three
successive years she greeted him with the cup of water when he went
hunting. In the fourth year she died, leaving behind her a little
daughter.
The sorrowing husband carefully brought up the little girl--or, at
least caused her to be carefully brought up; but he never presented her
to the king, or spoke of her, because the death of the mother was a
subject too painful for either of them to talk about.
But when the girl was sixteen years old, she looked so exactly like
her mother, that the father was startled by the resemblance. And he
thought, "To-morrow I shall present her to the king." And to his
daughter he said, "To-morrow I am going to hunt with the king. When
we are on our way home, we shall stop at a little cottage in the
wood--the little cottage in which your mother used to live. Do you then
wait in the cottage, and when the king comes, bring him a cup of water,
just as your mother did."
So next day the king and his baron approached the cottage after their
hunt; and the king was greatly astonished and moved by the apparition
of a young girl offering him a cup of water--so strangely did she
resemble the girl whom he had seen in the same place nearly twenty
years before. And as he took the cup from her hand, his heart went out
toward her, and he asked his companion, "Is this indeed the ghost of
her?--or another dear vision?" But before the companion could make any
answer--lo! another shadow stood between the king and the girl; and
none could have said which was which, so exactly each beautiful face
resembled the other--only the second apparition wore peasant clothes.
And she that wore the clothes of a peasant girl kissed the king as
he sat upon his horse, and disappeared. And the king immediately, on
receiving that kiss and returning it, fell forward and died.
This is a vague, charming romance indeed, for some one to take up and
develop. Of course the figure in the peasant clothes is the spirit
of the mother of the girl. There are many pretty stories somewhat
resembling this in the old Japanese story books, but none quite the
same; and I venture to recommend anybody who understands the literary
value of such things to attempt a modified version of Rossetti's
outline in Japanese. Some things would, of course, have to be changed;
but no small changes would in the least affect the charm of the story
as a whole.
Public-domain text, read in full here on John Shaqi.
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