Pride and Passion: Robert Burns, 1759-1796Ferguson, J. De Lancey (John De Lancey)
History
Pride and Passion: Robert Burns, 1759-1796
Ferguson, J. De Lancey (John De Lancey)
Burns, Robert, 1759-1796
Indecorum of language was likewise barred, and clerical biographers
in discussing these rules have left the impression that the Club was
a kind of Y.M.C.A. From what we know of peasant life in Scotland and
of the adolescent male everywhere, it is possible that the biographers
were mistaken. Whatever his conduct in 1780, Burns was soon applying
the tenth rule in no platonic or idealistic sense.
Nevertheless the Club played an important part in developing his
powers. Besides giving him an audience for his ideas it showed him
that he could dominate his audience. Thenceforward Burns took the lead
in any social group where he was intimate; his companions, re-echoing
his wit, believed that they shared it and even convinced him that they
did. The roster of his friends includes many wholly commonplace people
like John Richmond and Robert Ainslie who shone only by reflected
light, but whose satellite nature Burns was quite unaware of at the
time. Moreover, the Club gave him almost his first experience of the
wine of applause, and he found it a heady vintage.
Among the Tarbolton Bachelors was David Sillar--not a charter member of
the Club, but admitted to it early in 1781. A year younger than Burns,
Sillar, under his friend’s inspiration, produced a few commonplace
poems which gave Burns the excuse for hailing him as brother poet.
Sillar had a certain gift for characterization in prose; he described
Tarbolton townsfolk as ‘uncontaminated by reading, conversation,
or reflection’, and left the most vivid extant picture of Burns on
the threshold of manhood. Burns was beginning to reveal the playboy
elements in his nature--that desire above all things to be conspicuous
which he shared with such very different geniuses as Sir Walter Scott,
Charles Dickens, Mark Twain, and Bernard Shaw. In a day when strict
Presbyterians still cropped their hair, after the fashion which in the
previous century had earned them the name of Roundheads, Burns let his
grow long and wore it in a queue--‘the only tied hair in the parish’.
When everyone else was wearing plaids of ordinary shepherd’s gray,
Burns sported one of dead-leaf colour. And since the uncontaminated
parishioners of Tarbolton were orthodox Old Lights Burns acquired easy
notoriety by setting up as a heretic.
Public-domain text, read in full here on John Shaqi.
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