Clough worshipped Truth with more than the passion of a lover, and his
writings are, for the most part, the tragic records of a life-long
devotion to a mistress who steadily refused his embraces; but as it is
greatly better to have loved without attaining than to have attained
without loving, so Clough’s ardent and unrewarded stumblings in the dark
towards his adored though unseen divinity are greatly more attractive
and edifying to those who have shared, successfully or not, the same
passion, than is that complacent fruition of her smiles which she often
accords to those who are contented to be no more than her speaking
acquaintances. Regarded from a purely intellectual point of view,
Clough’s utterances on religion, duty, etc., are little better than the
commonplaces which in these days pass through the mind and more or less
affect the feelings of almost every intelligent and educated youth
before he is twenty years of age; but there are commonplaces which cease
to be such, and become indefinitely interesting, in proportion as they
are animated by moral ardour and passion. Speech may work good by
warming as well as by enlightening; and if Clough’s writings teach no
new truth, they may inflame the love of truth, which is perhaps as great
a service. Though he professes that he can nowhere see light where light
is most necessary and longed for, his mind is utterly opposed to the
negative type; and he exactly exemplifies the class of believer whom
Richard Hooker endeavours to comfort, in his great sermon on “the
perpetuity of faith in the elect,” by the reminder that a longing to
believe is implicit faith, and that we cannot sorrow for the lack of
that which we interiorly hold to be nonexistent. A question that must
suggest itself to most readers is, What is the use and justification of
these endless and tautological lamentations over the fact--as Clough
conceived it to be--that, for such as him at least, “Christ is not
risen”? The reply is, that the responsibility of the publication of so
much that is profoundly passionate but far from profoundly intellectual
scepticism was not his. With the exception of some not very significant
critical essays, his prose consists of letters, which were of course
not meant for the public; and the greater part of his poetry remained to
the day of Clough’s death in his desk, and would probably never have
left it, with his consent, unless to be put in the fire.
Public-domain text, read in full here on John Shaqi.
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