Dickens, Charles, 1812-1870 -- Homes and haunts -- England -- London; Literary landmarks -- England -- London
Proceeding by Whitehall, and crossing to the opposite side of the street,
we shortly arrive at The Horse Guards, and may take passing observation
of the OLD CLOCK—famed for its perfection of time-keeping—by whose
warning note _Mark Tapley_ regulated the period of the interview next
referred to. Passing through the arched passage beneath, we now attain
the eastern side of St. James’s Park. This locality will be remembered
as the place of meeting between _Mary Graham_ and _Martin Chuzzlewit_,
previous to his departure for America. As the young lady was escorted by
Mark in the early morning from a City hotel, we may be certain that the
interview must have taken place on this side of the Park, doubtless near
the principal gate of the promenade facing the Horse Guards’ entrance.
Leaving the Park northward, by _Spring Gardens_, we come into _Cockspur
Street_, shortly leading (left) to PALL MALL. At the first corner of the
latter stands Her Majesty’s Theatre. At this establishment, as
reconstructed during the early years of the century, _Mrs. Nickleby_
attended, by special invitation of _Sir Mulberry Hawk_, Messrs. Pyke and
Pluck assisting on that notable occasion, when, by a prearranged
coincidence, Kate and the Wititterlys occupied the adjoining box.—_Vide_
“Nicholas Nickleby,” chapter 27.
This Opera House was burnt down 1789, and rebuilt the following year. It
was remodelled 1818, and again destroyed by fire, December 6, 1867.
Being a second time rebuilt, it was, for some seasons, closed since 1875.
The present theatre is of recent and splendid erection.
At this central position, from which we may readily take departure for
any point in London, the present Ramble will terminate. To all those
needing reparation of tissue, a visit to Epitaux’s Restaurant, near the
Haymarket Theatre, will be satisfactory.
RAMBLE VI
_Excursion to Chatham_, _Rochester_, _and Gadshill_
Public-domain text, read in full here on John Shaqi.
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