The first one, Edward Langham, was Robert's tutor, and about seven years
older than himself. He was a man about whom, on entering the college,
Robert heard more than the usual crop of stories. The healthy young
English barbarian has an aversion to the intrusion of more manner into
life than is absolutely necessary. Now, Langham was overburdened with
manner, though it was manner of the deprecating and not of the arrogant
order. Decisions, it seemed, of all sorts were abominable to him. To
help a friend he had once consented to be Pro-proctor. He resigned in a
month, and none of his acquaintances ever afterwards dared to allude to
the experience. If you could have got at his inmost mind, it was
affirmed, the persons most obnoxious there would have been found to be
the scout, who intrusively asked him every morning what he would have
for breakfast, and the college cook, who, till such a course was
strictly forbidden him, mounted to his room at half-past nine to inquire
whether he would 'dine in.' Being a scholar of considerable eminence, it
pleased him to assume on all questions an exasperating degree of
ignorance; and the wags of the college averred that when asked if it
rained, or if collections took place on such and such a day, it was pain
and grief to him to have to affirm positively, without qualifications,
that so it was.
Such a man was not very likely, one would have thought, to captivate an
ardent, impulsive boy like Elsmere. Edward Langham, however,
notwithstanding undergraduate tales, was a very remarkable person. In
the first place, he was possessed of exceptional personal beauty. His
colouring was vividly black and white, closely curling jet-black hair,
and fine black eyes contrasting with a pale, clear complexion and even,
white teeth. So far he had the characteristics which certain Irishmen
share with most Spaniards. But the Celtic or Iberian brilliance was
balanced by a classical delicacy and precision of feature. He had the
brow, the nose, the upper lip, the finely-moulded chin, which belong to
the more severe and spiritual Greek type. Certainly of Greek blitheness
and directness there was no trace. The eye was wavering and profoundly
melancholy; all the movements of the tall, finely-built frame were
hesitating and doubtful. It was as though the man were suffering from
paralysis of some moral muscle or other; as if some of the normal
springs of action in him had been profoundly and permanently weakened.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account