Robin Hood: A collection of all the ancient poems, songs, and ballads, now extant, relative to that celebrated English outlaw. To which are prefixed historical anecdotes of his life.
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Robin Hood: A collection of all the ancient poems, songs, and ballads, now extant, relative to that celebrated English outlaw. To which are prefixed historical anecdotes of his life.
Ballads, English -- England -- Texts; Outlaws -- Poetry; Robin Hood (Legendary character) -- Poetry; Songs, English -- England -- Texts
These two titles are inserted among the plays mentioned by Chetwood
in his British Theatre (p. 67) as written by anonymous authors in
the 16th century to the Restoration. But neither Langbaine, who
mentions both, nor any other person, pretends to have ever seen
either of them. The former, indeed, may possibly be “The playe
of Robyn {lxix} Hode,” already noticed; and the other is probably
a future article. Langbaine, it is to be observed, gives no date
to either piece; so that it may be fairly concluded those above
specified are of Chetwood’s own invention, which appears to have
been abundantly fertile in every species of forgery and imposture.
8. “The sad shepherd, or a tale of Robin Hood.”
The story of our renowned archer cannot be said to have been wholly
occupied by bards without a name, since, not to mention Mundy or
Drayton, the celebrated Ben Jonson intended a pastoral drama on
this subject, under the above title; but dying, in the year 1637,
before it was finished, little more than the two first acts have
descended down to us. His last editor (Mr. Whalley), while he
regrets that it is but a fragment, speaks of it in raptures, and,
indeed, not without evident reason, many passages being eminently
poetical and judicious.
“The persons of the play,” so far as concerns our immediate
purpose, are: [1] “Robin Hood, the chief woodman [i.e. forester],
master of the feast. [2] Marian, his lady, the mistress. [3] Friar
Tuck, the chaplain and steward. [4] Little John, bow-bearer. [5,
6] Scarlet, Scathlocke,[53] two brothers, huntsmen. [7] George a
Green, huisher of the bower. [8] Much, Robin Hood’s bailiff or
acater.” The rest are the guests invited, the witch of Paplewick,
her daughter, the swin’ard her son, Puck Hairy or Robin Goodfellow,
their hind, and lastly a devout hermit. “The scene, Sherwood,
consisting of a landscape of a forest, hills, valleys, cottages,
a castle, a river, pastures, herds, flocks, all full of country
simplicity; Robin Hood’s bower, his well, &c.” “The argument of
the first act” is as follows: “Robin Hood, having invited all the
shepherds and shepherdesses of the vale of Be’voir to a feast in
the forest of Sherwood, and trusting to his mistress, Maid Marian,
with her woodmen, to kill him venison against the day; having
left the like charge with Friar Tuck, his chaplain and steward,
to command the rest of his merry men to see the bower made {lxx}
ready, and all things in order for the entertainment: ‘meets’
with his guests at their entrance into the wood, and conducts
them to his bower: where, by the way, he receives the relation of
the sad shepherd Æglamour, who is fallen into a deep melancholy
for the loss of his beloved Earine, reported to have been drowned
in passing over the Trent, some few days before. . . . . In the
meantime Marian is come from hunting. . . . . Robin Hood inquires
if she hunted the deere at force, and what sport he made? how long
he stood? and what head he bore? all which is briefly answered,
Public-domain text, read in full here on John Shaqi.
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