Opening with a musical and lyrical prelude, this symphonic composition
was to end with a postlude. After the great storm, castaways from the
shipwreck were to foregather in Switzerland, near Soleure. Royalists and
regicides, Girondists and Montagnards, were to exchange reminiscences; a
love episode between two of their children was to lend an idyllic touch
to the aftermath of the European storm. Fragments only of this great
design have been carried to completion, comprising the four dramas, _Le
14 Juillet_, _Danton_, _Les loups_, and _Le triomphe de la raison_. When
these plays had been written, Rolland abandoned the scheme, to which the
people, like the literary world and the stage, had given no
encouragement. For more than a decade these tragedies have been
forgotten. To-day, perchance, the awakening impulses of an age becoming
aware of its own lineaments in the prophetic image of a world
convulsion, may arouse in the author an impulse to complete what was so
magnificently begun.
CHAPTER XIII
THE FOURTEENTH OF JULY
1902
Of the four completed revolutionary dramas, _Le 14 Juillet_ stands first
in point of historic time. Here we see the Revolution as one of the
elements of nature. No conscious thought has formed it; no leader has
guided it. Like thunder from a clear sky comes the aimless discharge of
the tensions that have accumulated among the people. The thunderbolt
strikes the Bastille; the lightning flash illumines the soul of the
entire nation. This piece has no heroes, for the hero of the play is the
multitude. "Individuals are merged in the ocean of the people," writes
Rolland in the preface. "He who limns a storm at sea, need not paint the
details of every wave; he must show the unchained forces of the ocean.
Meticulous precision is a minor matter compared with the impassioned
truth of the whole." In actual fact, this drama is all tumultuous
movement; individuals rush across the stage like figures on the
cinematographic screen; the storming of the Bastille is not the outcome
of a reasoned purpose, but of an overwhelming, an ecstatic impulse.
Public-domain text, read in full here on John Shaqi.
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