Samplers and Tapestry Embroideries: Second Edition — John Shaqi
Samplers and Tapestry Embroideries: Second EditionHuish, Marcus B. (Marcus Bourne)
History
Samplers and Tapestry Embroideries: Second Edition
Huish, Marcus B. (Marcus Bourne)
Embroidery -- England; Samplers -- England; Tapestry -- England
One of the quaintest of the Embroidery pictures. Differing as it does from
the majority of its fellows in the costume of its figures, and valuable as
it is as a record of the dress of the first years of the seventeenth
century, the piquancy and variety of the subjects depicted combine with
these to give it an unusual interest. As regards the dress, it denotes a
period towards the close of the reign of James I. The ruff is still worn
by the doctors, but the boots of the gentleman who walks with a lady are
very close to the fashion of Charles I. The subjects combine religious and
mundane. The former comprise Christ in the Temple instructing the doctors,
Susannah and the Elders, and a remarkable scene of Martyrs at the stake,
one of the latter being in the uncomfortable position of having a stone
protruding from his forehead. The latter show the squire and his lady
beside their residence, young ladies out for an airing, and others about
to enter a Pergola. Its maker has not only been happy through the vitality
imparted to the human puppets, but has succeeded equally well with animal
life; witness the rabbit and squirrel beneath the apple tree and the
greyhound and hare in the lower corner. The water in which Susannah laves
her legs is worked in imitation of ripples, and looks fresher than the
rest owing to the recent removal of the talc with which it was covered.
The clouds in the upper part of the moss, etc., in the lower portion come
dark in the reproduction as they are made of purl, which has tarnished. It
will be noted that those of the pictures in which the surface is not
entirely covered with embroidery are usually worked upon white satin. This
was a fashion of the time, and supplanted velvet, the material hitherto
used, owing, it is assumed, to its being an easier material to work upon,
but also probably to its beautiful surface resembling a background of
parchment, and to the magnificent quality which was then made.]
[Illustration: FIG. 55.--EMBROIDERED GLOVE. EARLY 17TH CENTURY. _Formerly
in the Author's Collection._]
PART II
Embroideries in the Manner of Tapestry Pictures
Public-domain text, read in full here on John Shaqi.
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