We now come to the great artiste’s most recent creations. Her dramatic
genius found fresh expression in Octave Mirabeau’s fine social problem
play, _Les Mauvais Bergers_, brought out on the 15th December. After
her appearance as a man in _Lorenzaccio_, and as a divinely inspired
convert in _La Samaritaine_, here she was as one of the working-class,
in a cotton blouse and woollen skirt. Next she gave Gabriel
d’Annunzio’s _Ville Morte_, and, rejuvenated and transfigured after
her severe illness, she produced _Lysiane_ by M. Romain Coolus in the
spring of 1898.
Immediately after her triumph in _Lorenzaccio_, a few of Sarah
Bernhardt’s friends, headed by M. Henry Bauer, decided to organize a
grand _fête_ in her honour, to mark the apogee of her artistic career.
Wednesday, 9th December, 1896, was fixed as the date. Shortly before
the great day, I had requested Sarah to give herself up to one or two
hours’ solitude, to revive the memories of her emotions, struggles, and
triumphs, and, in short, give the readers of the _Figaro_ a glimpse
into her mind on the eve of one of the most memorable events of her
brilliant career. She sent me the following spontaneous and vigorous
account of her meditations--
_My dear friend, you are asking for nothing less than a full
confession, but I have no hesitation in answering. I am proud and
thoroughly happy at the prospect of the_ fête _that is to be given
me. You ask me to say whether I really and truly believe I deserve
this honour. If I say Yes, you will think me very conceited. If
I say No, you will set me down as very blamable. I would rather
tell you why I am so proud and happy. For twenty-nine years past I
have given the public the vibrations of my soul, the pulsations of
my heart, and the tears of my eyes. I have played one hundred and
twelve parts. I have created thirty-eight new characters, sixteen
of which are the work of poets. I have struggled like no other
human being has struggled. My independence and hatred of deception
have made me bitter enemies. I have overcome and pardoned those
whom I condescended to encounter. They have become my friends. The
mud thrown at me by others has fallen from me in dust, dried up by
the scorching sun of my determination and faith in my own powers.
I have ardently longed to climb the topmost pinnacle of my art. I
have not yet reached it. By far the smaller part of my life remains
for me to live, but what matters it! Every day brings me nearer to
the realization of my dream. The hours that have flown away with
my youth have left me my courage and cheerfulness, for my goal is
unchanged, and I am marching towards it._
Public-domain text, read in full here on John Shaqi.
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