_These are the trifling victories that have gained me so much
indulgence. I say nothing of the encounters at which you and all
the Paris public have been present. And now, after having finished
my confession, I can still find one little circumstance in my own
favour. Five months ago I refused an offer of a million francs to
perform in Germany. If there be any carping critics to say the_
fête _about to be given me is out of proportion to my talents, tell
them I am the militant_ doyenne _of a grand, inspiring, elevating
form of art. Tell them French courtesy was never more manifest than
when, desiring to honour the art of interpretation and raise the
interpreter to the level of other creative artists, it selected a
woman._
_SARAH BERNHARDT._
_December 8, 1896._
The promised _fête_ took place on the following day, 9th December.
It was a very fine one--much finer than any one could possibly have
expected.
It was a charming, delightful festival under a grey wintry sky in the
heart of Paris: an outburst of kindly feeling in the most artistic
form. Some unsympathetic spirits had made merry over the programme, and
it was asserted that the timid poets who were to appear would shrink
from the critical gaze of Paris. Thanks to Sarah and the witchcraft of
her grace and beauty, the ceremony was not only the greatest and most
enviable triumph of her career, but it passed off with perfect harmony,
in an atmosphere warm with cordiality and admiration.
[Illustration: Mme. Sarah Bernhardt, from a drawing by C. Léandre.]
Public-domain text, read in full here on John Shaqi.
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