Next to him is seated Mr. Furness, a tall young man, with blond hair and whiskers, who was plucked at Cambridge entirely owing to his genius; at least I know that he soon afterwards published a volume of poems, which were considered remarkably beautiful by many young ladies of his acquaintance. Mr. Furness preached his own sermons, as any one of tolerable critical acumen might have certified by comparing them with his poems: in both, there was an exuberance of metaphor and simile entirely original, and not in the least borrowed from any resemblance in the things compared. On Mr. Furness’s left you see Mr. Pugh, another young curate, of much less marked characteristics. He had not published any poems; he had not even been plucked; he had neat black whiskers and a pale complexion; read prayers and a sermon twice every Sunday, and might be seen any day sallying forth on his parochial duties in a white tie, a well-brushed hat, a perfect suit of black, and well-polished boots--an equipment which he probably supposed hieroglyphically to represent the spirit of Christianity to the parishioners of Whittlecombe. Mr. Pugh’s _vis-a-vis_ is the Rev. Martin Cleves, a man about forty--middle-sized, broad-shouldered, with a negligently-tied cravat, large irregular features, and a large head, thickly covered with lanky brown hair. To a superficial glance, Mr. Cleves is the plainest and least clerical-looking of the party; yet, strange to say, _there_ is the true parish priest, the pastor beloved, consulted, relied on by his flock; a clergyman who is not associated with the undertaker, but thought of as the surest helper under a difficulty, as a monitor who is encouraging rather than severe. Mr. Cleves has the wonderful art of preaching sermons which the wheelwright and the blacksmith can understand; not because he talks condescending twaddle, but because he can call a spade a spade, and knows how to disencumber ideas of their wordy frippery. Look at him more attentively, and you will see that his face is a very interesting one--that there is a great deal of humour and feeling playing in his grey eyes, and about the corners of his roughly-cut mouth: a man, you observe, who has most likely sprung from the harder-working section of the middle class, and has hereditary sympathies with the checkered life of the people. He gets together the working men in his parish on a Monday evening, and gives them a sort of conversational lecture on useful practical matters, telling them stories, or reading some select passages from an agreeable book, and commenting on them; and if you were to ask the first labourer or artisan in Tripplegate what sort of man the parson was, he would say,--‘a uncommon knowin’, sensable, free-spoken gentleman; very kind an’ good-natur’d too’. Yet for all this, he is perhaps the best Grecian of the party, if we except Mr. Baird, the young man on his left.