And now he was being carried away from all that happiness! He was
going back to bare noisy rooms, to a crowd of boys and worried
masters. Would such times as he had had ever come again? His hand
at that moment rested on something hard in his pocket. It was
Muriel's photograph which she had given him before breakfast. He had
looked at it hurriedly then, in its tissue cover. Now he wanted to
take it out and feast his eyes upon it. He looked up; Vernley was
chewing butterscotch and still immersed in his book. He did not want
the old lady sitting near to see him gazing at the photograph, so he
got up and went into the adjoining lavatory. There he bolted the
door and pulled out the precious packet.
Slipping the photograph from its paper cover, he saw it was a small
cabinet in sepia by Neame, New Bond Street, of Muriel in her riding
coat and cap. As he pulled it out something dropped to the floor.
It was a small piece of tissue paper. He was disappointed, for he
thought it was a note. Then seeing its shape, he knew it contained
something, which, after unwrapping, proved to be a strand of hair.
John immediately kissed it with all the sentiment of fifteen. He was
about to wrap it up again, when he had an inspiration. It was
another pledge of love and should be placed with Ali's gift. John
pulled out the chain with its moonstone pendant, which he faithfully
wore, and tied the strand of hair around the link. Then, putting the
photograph back into his pocket, he returned to the carriage.
The platform was crowded when they arrived at Sedley and there was a
fierce fight for seats in the brake. John found himself separated
from Vernley, but half an hour later, as he was going towards Mrs.
Fletcher's room, he was caught by the arm.
"I say, Scissors, what do you think?" asked Vernley excitedly.
"We've got a new study! Maitland told me, and I didn't believe him,
but it's on the list. There's another fellow in with us--what a
nuisance! I don't know who he is."
"What's his name?"
"Marsh--Maitland says he's a new kid, tons of money and a motor bike.
He was at Eton and has come here for some reason. It looks queer--we
don't want Eton's cast-offs."
"I beg your pardon," said a quiet voice. The boys turned to find
themselves surveyed by a calm young gentleman. He smiled at them in
a superior way.
"My name is Marsh--of whom you speak. If my presence is offensive to
your secluded domain, I'll remove myself."
"Pompous ass," thought John. Vernley stared at him.
"Well, we are friends y' see," said Vernley at last.
"So I perceive," murmured the tall youth, looking at Vernley, who had
his arm in John's. There might have been something offensive in the
fact, and the stranger impressed this upon them. Vernley drew his
arm away.
"Do you always _perceive_ things?" asked John sarcastically.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account