To the west of the Cour du Cheval-Blanc, and communicating with it, is the Cour de la Fontaine, the main front of which is formed by the Galerie de François I. This faces the great tank, into which Gaston d' Orleans, at eight years old, caused one of the courtiers to be thrown, whom he considered to have spoken to him disrespectfully. One side of the Cour de la Fontaine, that toward the Jardin Anglais, is terminated by a pavilion of the time of Louis XV.; the other, formerly decorated with statues is attributed to Serlio. The fountain from which the court takes its name has been often changed; a poor work by Petitot now replaces the grand designs of the time of François I. and Henri IV. Beyond this court we find, on the left, the Porte Dorée, which faces the Chaussée de Maintenon, between the Etang and Parterre; it was built under François I., and decorated by Primaticcio with paintings, restored in 1835. It was by this entrance that Charles V. arrived at the palace in 1539.... A staircase now leads to the first floor, and we enter the apartments of Napoleon I., all furnished in the style of the First Empire. The cabinet de l'Abdication is the place where he resigned his power. His bedroom (containing the bed of Napoleon I., the cradle of the King of Rome, and a cabinet of Marie Louise) leads to the Salle du Conseil, which was the Salon de Famille under Louis Philippe. Its decorations are by Boucher, and are the best of the period. It was in leaving this room that the Maréchal de Biron was arrested under Henri IV., in a cabinet which is now thrown into the adjoining Salle du Trône, (previously the bedroom of the Bourbon kings), dating from Charles IV., but decorated under Louis XIII. A fine portrait by Phillipe de Champaigne represents Louis XIII. It is accompanied by his device in allusion to his vehemence in the extermination of heresy. The adjoining boudoir de Marie Antoinette is a beautiful little room, painted by Barthelemy. The metal work of the windows is said to have been wrought by Louis XVI. himself, who had his workshop here, as at Versailles. The richly decorated Chambre à Coucher de la Reine was inhabited by Marie de Medici, Marie Thérese, Marie Antoinette, Marie Louise, and Marie Amelie. The silk hangings were given by the town of Lyons to Marie Antoinette on her marriage. The Salon de Musique was the Salon du jeu de la Reine, under Marie Antoinette. The ancient Salon de Clorinde, or des Dames d' Honneur, is named from its paintings by Dubois and from the "Gerusalemme Liberata."