Selections from the Prose Works of Matthew ArnoldArnold, Matthew
General
Selections from the Prose Works of Matthew Arnold
Arnold, Matthew
English essays -- 19th century
Nothing but that; but, in juxtaposition with the absolute eulogies of
Sir Charles Adderley and Mr. Roebuck, how eloquent, how suggestive are
those few lines! "Our old Anglo-Saxon breed, the best in the whole
world!"--how much that is harsh and ill-favored there is in this best!
_Wragg!_ If we are to talk of ideal perfection, of "the best in the
whole world," has any one reflected what a touch of grossness in our
race, what an original short-coming in the more delicate spiritual
perceptions, is shown by the natural growth amongst us of such hideous
names,--Higginbottom, Stiggins, Bugg! In Ionia and Attica they were
luckier in this respect than "the best race in the world"; by the
Ilissus there was no Wragg, poor thing! And "our unrivalled happiness";
--what an element of grimness, bareness, and hideousness mixes with it
and blurs it; the workhouse, the dismal Mapperly Hills,--how dismal
those who have seen them will remember;--the gloom, the smoke, the cold,
the strangled illegitimate child! "I ask you whether, the world over or
in past history, there is anything like it?" Perhaps not, one is
inclined to answer; but at any rate, in that case, the world is very
much to be pitied. And the final touch,--short, bleak and inhuman:
_Wragg is in custody_. The sex lost in the confusion of our unrivalled
happiness; or (shall I say?) the superfluous Christian name lopped off
by the straightforward vigor of our old Anglo-Saxon breed! There is
profit for the spirit in such contrasts as this; criticism serves the
cause of perfection by establishing them. By eluding sterile conflict,
by refusing to remain in the sphere where alone narrow and relative
conceptions have any worth and validity, criticism may diminish its
momentary importance, but only in this way has it a chance of gaining
admittance for those wider and more perfect conceptions to which all its
duty is really owed. Mr. Roebuck will have a poor opinion of an
adversary who replies to his defiant songs of triumph only by murmuring
under his breath, _Wragg is in custody_; but in no other way will these
songs of triumph be induced gradually to moderate themselves, to get rid
of what in them is excessive and offensive, and to fall into a softer
and truer key.
Public-domain text, read in full here on John Shaqi.
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