Seville: an historical and descriptive account of "the pearl of Andalusia"Calvert, Albert Frederick
History
Seville: an historical and descriptive account of "the pearl of Andalusia"
Calvert, Albert Frederick
Art -- Spain -- Seville; Painters -- Spain; Seville (Spain) -- Description and travel
The entrance to this chapel is flanked by the Capillas de San Pedro
and de la Concepcion Grande. In the south aisle is the chapel of the
Purification or of the Marshal, containing a remarkable altar-piece by
Peter Kempener--exhibiting the portraits of the founder, Marshal Pedro
Caballero, and his family. Adjacent is the Sala Capitular, in fine
Renaissance style, the work of Gainza and Diego de Riaño (1531). The
roof is formed by a fine cupola, supported by Ionic columns, beneath
which is some admirable plateresco work, with escutcheons, triglyphs,
etc. The hall contains a portrait of St Ferdinand by Francisco Pacheco,
the “Conception” and ovals by Murillo, and the “Four Virtues” by Pablo
de Céspedes. Beneath the windows are seen reliefs by Velasco, Cabrera,
and Vazquez.
The sacristy (Sacristia Mayor) is in the Renaissance style, and lies
south of the Sala Capitular. It was built by Gainza in 1535, after
designs by Riaño, who had died two years earlier. One of the three
altars against the southern wall is adorned by the beautiful “Descent
from the Cross” by Peter Kempener (a native of Brussels, called by the
Spaniards Campaña), before which Murillo used to stand for hours in
rapt contemplation. This priceless work of art was cut in five pieces
by the French, with a view to its removal, and has not been very well
restored. The sacristy contains also three interesting paintings,
dating from the early sixteenth century, by Alejo Fernandez; and the
“San Leandro” and “San Isidore” of Murillo.
In this chamber is kept the treasury of the Cathedral. In it might be
included the superb silver monstrance by Juan de Arfe (1580-87). It
is twelve feet high, and richly adorned with columns, reliefs, and
statuettes. The treasury likewise contains another monstrance, studded
with 1200 jewels; a rock-crystal cup, said to have belonged to St
Ferdinand; and the keys presented to that sovereign on the surrender
of the city. That given by the Jews is of iron gilt, with the words,
_Melech hammelakim giphthohh Melek kolhaaretz gabo_ (the King of kings
will open, the King of all the earth will enter); the other key is of
silver gilt and was surrendered by Sakkáf. The inscription upon it is
in Arabic, and reads, _May Allah render eternal the dominion of Islam
in this city_.
Public-domain text, read in full here on John Shaqi.
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