Sex variant women in literature : $b A historical and quantitative surveyFoster, Jeannette H. (Jeannette Howard)
General
Sex variant women in literature : $b A historical and quantitative survey
Foster, Jeannette H. (Jeannette Howard)
Lesbians in literature; Sex in literature; Women in literature
The ultimate limit of male-oriented literature is pornography, with
which this study will not be concerned beyond defining it as writing of
which the primary intent is sexual arousal. The category is difficult of
sharp delineation for an English-reading audience, since relatively
unseasoned readers may attribute pornographic intent to works which the
more “sophisticated” continental takes in his stride and admits to the
realm of legitimate belles-lettres. This is particularly true of that
early French and Italian material which was written with wit, style, and
care to avoid coarse terminology, and which is more properly termed
erotic or _galant_. To account adequately for such racial or national
inconsistencies in sexual tolerance is impossible here. Undoubtedly an
earlier familiarity with classical literature in Italy and southern
France, as well as a readier exposure there to oriental influences, had
something to do with continental lenience.
Historians of erotic literature trace the genre ultimately to two
hypothetical sources. One is a group of Greek tales called Milesian
which originated about the sixth or seventh century B.C., satirizing
religion as well as sex. They were particularly scurrilous in their
portrayal of women. The other source is oriental literature, since in
both Hindu and Islamic philosophy the inferior status of woman tends to
depersonalize sexual relations. Whatever its origin, erotic literature
has flourished steadily in modern Europe from the earliest renaissance
to the present day, and has been produced by authors of literary
repute—Boccaccio, Poggio, Aretino in Italy; and, in France, LaSalle,
Rabelais, Venette, not to mention a score of lesser names in both
countries. In the seventeenth and eighteenth centuries it developed in
France into the style called _galant_, somewhat less lusty and more
verbally subtle than earlier works but nonetheless very free. In this
class the names most familiar to English readers are probably Restif de
la Bretonne and Casanova.
Naturally all erotic works concentrate mainly upon heterosexual
activity, but intrasexual episodes, particularly among women, are not
uncommon. The women involved are never wholly, or even primarily,
homosexual. An innocent girl may be initiated by one more experienced
into the mysteries of giving pleasure to men. Ladies of quality may
experiment with one another to alleviate boredom, or prostitutes amuse
themselves in idle intervals. Nuns may console each other for lack of
opportunity with priests, though the latter are usually also available.
All these contacts are the fruit of propinquity rather than personal
devotion, and the sexual play often involves more than two participants.
In short, even these lesbian anecdotes are presented from the male
viewpoint.
Public-domain text, read in full here on John Shaqi.
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