Shakespearean Playhouses: A History of English Theatres from the Beginnings to the RestorationAdams, Joseph Quincy
History
Shakespearean Playhouses: A History of English Theatres from the Beginnings to the Restoration
Adams, Joseph Quincy
Shakespeare, William, 1564-1616 -- Stage history -- To 1625; Theaters -- England -- London -- History
All this talk of the Curtain's being plucked down or devoted to other
uses suggests a contemplated change in the ownership or management of
the building. We do not know when Lanman died (in 1592 he described
himself as fifty-four years of age),[134] but we do know that at some
date prior to 1603 the Curtain had passed into the hands of a
syndicate. When this syndicate was organized, or who constituted its
members, we cannot say. Thomas Pope, in his will, dated July 22, 1603,
mentions his share "of, in, and to all that playhouse, with the
appurtenances, called the Curtain";[135] and John Underwood, in his
will, dated October 4, 1624, mentions his "part or share ... in the
said playhouses called the Blackfriars, the Globe on the Bankside, and
the Curtain."[136] It may be significant that both Pope and Underwood
were sharers also in the Globe. Since, however, further information
is wanting, it is useless to speculate. We can only say that at some
time after the period of Lanman's sole proprietorship, the Curtain
passed into the hands of a group of sharers; and that after a
discussion in 1600 of demolishing the building or devoting it to other
uses, it entered upon a long and successful career.
[Footnote 134: Wallace, _op. cit._, p. 148.]
[Footnote 135: J.P. Collier, _Lives of the Original Actors in
Shakespeare's Plays_, p. 127. In exactly the same words Pope disposed
of his share in the Globe.]
[Footnote 136: _Ibid._, p. 230.]
On May 10, 1601, "the actors at the Curtain"[137] gave serious offense
by representing on the stage persons "of good desert and quality, that
are yet alive, under obscure manner, but yet in such sort as all the
hearers may take notice both of the matter and the persons that are
meant thereby." The Privy Council ordered the Justices of the Peace to
examine into the case and to punish the offenders.[138]
[Footnote 137: Possibly Derby's Men.]
[Footnote 138: See Dasent, _Acts of the Privy Council_, XXXI, 346.]
Early in 1604 a draft of a royal patent for Queen Anne's Players--who
had hitherto been under the patronage of Worcester[139]--gives those
players permission to act "within their now usual houses, called the
Curtain, and the Boar's Head."[140] On April 9, 1604, the Privy
Council authorized the three companies of players that had been taken
under royal patronage "to exercise their plays in their several and
usual houses for that purpose, and no other, viz., the Globe,
scituate in Maiden Lane on the Bankside in the County of Surrey, the
Fortune in Golding Lane, and the Curtain in Holywell."[141] The King's
Men (the Burbage-Shakespeare troupe) occupied the Globe; Prince
Henry's Men (the Henslowe-Alleyn troupe), the Fortune; and Queen
Anne's Men, the Curtain.
[Footnote 139: The company was formed by an amalgamation of Oxford's
and Worcester's Men in 1602. See The Malone Society's _Collections_,
I, 85.]
[Footnote 140: The Malone Society's _Collections_, I, 266.]
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