French fiction -- 19th century; Sand, George, 1804-1876
Mademoiselle Jacques's past was an impenetrable mystery to the people of
fashion who went to her to have their portraits painted, and to the
small number of artists whom she received in private. She had come to
Paris, whence no one knew, when no one knew, with whom no one knew. She
had been known two or three years only, a portrait she had painted
having attracted the attention of connoisseurs and been suddenly lauded
as the work of a master. Thus, from the patronage of the humble and an
unknown existence, she had passed without transition to a reputation of
the first rank and to the enjoyment of an ample income; but she had
changed not a whit in her simple tastes, her love of independence, and
the playful austerity of her manners. She never posed, and never spoke
of herself except to declare her sentiments and opinions with much
frankness and courage. As for the facts of her life, she had a way of
evading questions and going off in another direction which saved her the
necessity of replying. If any one chose to insist, she was accustomed to
say, after some vague words:
"We are not talking about me. I have nothing interesting to tell, and if
I have had sorrows, I have forgotten all about them, as I have no time
to think of them. I am very happy now, for I have plenty of work, and I
love work above everything."
It was by pure chance, and as a result of being thrown together in an
assemblage of artists, that Laurent had made Mademoiselle Jacques's
acquaintance. Having been launched as a gentleman and an eminent artist
in two different social circles. Monsieur Fauvel possessed, at
twenty-four, an amount of experience which all men have not acquired at
forty. He prided himself upon it, and mourned over it by turns: but he
had no experience in matters of the heart, for that is not acquired in a
life of dissipation. Thanks to the scepticism which he affected, he had
begun by passing judgment in his own mind that all those whom Thérèse
treated as friends must be lovers, and not until he had heard them
affirm and demonstrate the purity of their relations with her, did he
reach the point of looking upon her as a young woman who might have had
passions, but not vulgar intrigues.
Thereupon, he had become intensely curious to ascertain the cause of the
anomaly: a young, intelligent, and lovely woman, absolutely free and
living alone of her own free will. He had begun to see her more
frequently, and of late almost every day; at first on all sorts of
pretexts, latterly representing himself as a friend of no consequence,
too fond of pleasure to care to talk with a serious-minded woman, but
too idealistic, after all, not to feel the craving for affection and the
value of disinterested friendship.
Public-domain text, read in full here on John Shaqi.
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