Sidelights on Negro SoldiersWilliams, Charles H. (Charles Halston)
History
Sidelights on Negro Soldiers
Williams, Charles H. (Charles Halston)
World War, 1914-1918 -- Participation, African American
The work of the social secretary was of great importance. He it was who
furnished relaxation and entertainment after the arduous tasks of the
day. Moving pictures, given from two to five times a week; programs,
consisting of singing, dancing, stunts, and recitations, by talent in
cantonment cities or by company entertainers; concerts, by bands or
great singers; and addresses by famous speakers, filled the “Y,” even
the windows and rafters, with men at night. Of such service no group
was more appreciative than the Negro soldiers. Members of the race
in cantonment cities co-operated splendidly, and schools sometimes
sent quartets or orchestras. Sometimes there were Christmas trees
hung with presents ranging from tooth brushes to wrist watches, and
with each present was a bag of popcorn and a personal letter. On one
occasion when more than a hundred white soldiers were present at such
a festivity, they also received presents. Many of the entertainers on
the “Y” circuit were also enjoyed by the men, though too often in some
camps their programs happened to be given in every building except the
one attended by the Negro soldiers.
The religious secretaries were usually ministers of considerable
experience. Negro soldiers had high regard for things religious. Bible
classes were conducted every Sunday morning, and were followed by
preaching, sometimes by local ministers. Weekly Bible classes or prayer
meetings were also held, and sometimes “sings” or testimonial meetings.
At these meetings the soldiers often took a stand for Christ, and in
such cases the secretary wrote personal letters to their families,
informing them of the fact and asking them to write letters of
encouragement. The many personal interviews which these secretaries had
with the soldiers gave them some of the best opportunities of rendering
service.
Public-domain text, read in full here on John Shaqi.
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