Silver and Gold: A Story of Luck and Love in a Western Mining CampCoolidge, Dane
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Silver and Gold: A Story of Luck and Love in a Western Mining Camp
Coolidge, Dane
Gold mines and mining -- Fiction; Silver mines and mining -- Fiction; Western stories
He paced up and down on the smooth ledge of rock that made up the
entrance to his home and as he sunk his head in thought a voice came up
to him out of the blackness of the town below. It was the girl again,
singing, high and clear as a flute, as pure and ethereal as an angel,
and now she was singing a song. Denver roused up and listened, then
lowered his head and tramped back and forth on the ledge. The voice came
again in a song that he knew--it was one that he had on a record--and he
paused in his impatient striding. She could sing, this girl of Bunk's,
she knew something besides scales and running up and down. It was a song
that he knew well, only he never remembered the names on the records.
They were in German and French and strange, foreign languages, while all
that he cared for was the music. He listened again, for her singing was
different; and then, as she began another operatic selection he started
off down the trail. It was a rough one at best and he felt his way
carefully, avoiding the cactus and thorns; but as he crossed the creek
he suddenly took shame and stopped in the shadow of the sycamore.
What if the Professor, that old prowler, should come along and find him,
peeping in through Bunker's open door? What if the ray of light which
struck out through the door-frame should reveal him to the singer
within? And yet he was curious to see her. Since his first brusque
refusal to go in and meet her, Bunker had not mentioned his daughter
again--perhaps he remembered what was said. For Denver had stated that
he had plenty of music himself, if he could ever get his phonograph from
Globe. Yet he had had the instrument for nearly a week and never
unpacked the records. They were all good records, no cheap stuff or
rag-time; but somehow, with her singing, it didn't seem right to start
up a machine against her. And especially when he had refused to come
down and meet her--a fine lady, practicing for grand opera.
He sat down in the black shadow of the mighty sycamore and strained his
ears to hear; but a chorus of tree-frogs, silenced for the moment by his
coming, drowned the music with their eerie refrain. He hurled a rock
into the depths of the pool and the frog chorus ceased abruptly, but the
music from the house had been clearer from his cave-mouth than it was
from the bed of the creek. For half an hour he sat, gazing out into the
ghostly moonlight for some sign of the snooping Diffenderfer; and then
by degrees he edged up the trail until he stood in the shadow of the
store. The music was impressive--it was Marguerite's part, in "Faust,"
sung consecutively, aria by aria--and as Denver lay listening it
suddenly came over him that life was tragic and inexorable. He felt a
great longing, a great unrest, a sense of disaster and despair; and then
abruptly the singing ceased, and with it passed the mood.
Public-domain text, read in full here on John Shaqi.
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