England -- Social life and customs -- 20th century -- Fiction; Families -- England -- Fiction; Women -- England -- Fiction
"I didn't think that when I saw it," Mrs. Hugh answered simply. "You
are very good-looking, my dear."
At thirty-one Edith Greene was strikingly handsome. Tall, robust,
but not yet giving the impression of set solidity that increasingly
marred her looks, she carried herself so well that the florid
fashions of 1910 did not spoil the lines of her figure. Her
colouring was lovely: dark hair and dark eyes deepened by the steady,
warm glow in her cheeks; and her features were well marked but not
heavy, though the mouth was set in lines of command and resolution.
Mrs. Hugh looking at the portrait of Edith and her children, and then
turning to look at Edith standing by her side, noticed this accent of
command, of over-emphasised self-confidence, but she only said, "Yes,
I think it is an excellent piece of work."
"Of course Lavinia is really the keynote of the whole thing," Edith
began eagerly. "You see how she's turned her little head to smile up
at me, and how confident she looks. That was quite spontaneous. She
was posed looking straight ahead like the boys, but at the second
sitting she just put herself like that. It seemed almost a tribute
to me, Aunt Sarah; it's wonderful when your child shows its
confidence and love."
"Yes, I see," said Mrs. Hugh. "Lavinia is certainly a dear gay
little creature."
"Would you call her expression gay?" asked Edith, disappointed. "It
seems much more than that to me."
Mrs Hugh turned to Edith.
"My dear," she said, "I don't approve of interfering and giving
advice, and I've got no children of my own, so I'm really not
qualified to speak, but I've sometimes wondered if you're not perhaps
a little greedy with your children."
She spoke gently, but the word struck Edith like a blow. Her face
flushed deeply, but she answered coldly and politely:
"I don't think I quite understand you, Aunt Sarah."
"You're an excellent mother, I know," said Mrs. Hugh, "And you must
just forgive me for criticising you, but my dear, I think perhaps you
enjoy too much the mere fact of being a mother, and that is apt to
make you expect too much from your children; not too much affection
of course, but too much faith and admiration."
"I think it only natural to encourage my children to have faith in
me."
"Of course you do, but let them know you're fallible, Edith. It only
makes for unhappiness to bring them up to believe you are always
right. It isn't natural."
"I would think it more unnatural if they didn't trust their mother,
Aunt Sarah."
"My dear Edith, you don't quite understand me. I'm only hoping that
on the one hand you'll let them develop along their own lines, and
that on the other hand you won't take their natural love for you as
anything so important as a tribute; I think that was the word you
used."
"Perhaps it isn't quite easy for us to understand each other on the
subject of my feelings for my children. Shall we go upstairs now?"
Public-domain text, read in full here on John Shaqi.
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