Sketches from Concord and Appledore: Concord thirty years ago; Nathaniel Hawthorne; Louisa M. Alcott; Ralph Waldo Emerson; Matthew Arnold; David A. Wasson; Wendell Phillips; Appledore and its visitors; John Greenleaf WhittierStearns, Frank Preston
General
Sketches from Concord and Appledore: Concord thirty years ago; Nathaniel Hawthorne; Louisa M. Alcott; Ralph Waldo Emerson; Matthew Arnold; David A. Wasson; Wendell Phillips; Appledore and its visitors; John Greenleaf Whittier
Stearns, Frank Preston
Alcott, Louisa May, 1832-1888; Arnold, Matthew, 1822-1888; Authors, American -- Homes and haunts -- Massachusetts -- Concord; Concord (Mass.); Concord (Mass.) -- Intellectual life -- 19th century; Emerson, Ralph Waldo, 1803-1882 -- Homes and haunts -- Massachusetts -- Concord; Hawthorne, Nathaniel,
Louisa and her sister Annie (now Mrs. Pratt) were excellent actresses,
and were always in demand when private theatricals were on foot. To see
them perform in the "Two Buzzards" with her sister and F. B. Sanborn was
a treat of the first order. I can hear Louisa now saying, "Brother
Benjamin, brother Benjamin!" in a scene of which all the rest is gone
from my memory. Another favorite _role_ of hers was Dickens'
character of Sarah Gamp in the nocturnal interview with her friend Betsy
Prig. As Mrs. Jarley exhibiting her wax tableaux she was inimitable. She
did it with a snap. Once she was called upon to assist at an
entertainment given at the house of the village blacksmith: she invented
a charade which was both novel and appropriate. She arranged her father
to look like the Boston statue of Franklin--and the resemblance was a
very striking one--and then came in with another gentleman in a
travelling dress, and surveyed and criticized him. When she said, "He
seems to have rather a brassy expression," Mr. Alcott could scarcely
hold his face. This was the first part: the second consisted of the
scene from the "Two Buzzards" already mentioned, and for the third a
witty dialogue about Mr. Sanborn's school. As more than half of the
audience was composed of Mr. Sanborn's pupils this charade produced a
great effect.
Her acting had this peculiarity, that she seemed always to be herself
and the character she was representing at the same time. This is the
case also with some professional actors and actresses, notably with
Madame Ristori and Edwin Booth: but it is not the finest kind of acting.
The anti-slavery conflict and the civil-war with which it ended appealed
strongly to her ardent and sympathetic nature; and this finally resulted
in her enlisting as a nurse to tend the wounded soldiers. Her lively and
picturesque "Hospital Sketches" written at Washington for the "Boston
Commonwealth" are the echo of this period. Very few passed through that
crisis without bearing the scars of it for life, and the fever which
Louisa Alcott contracted in the camp sapped her vitality and probably
shortened her days. She was one of the veterans, and deserved a pension.
While she was convalescing she said to a friend who condoled with her on
her misfortunes, "The loss of my hair was the worst of it" (this had
been cut off by order of the doctor); "I felt as if that were a
disgrace." When some one asked her how she amused herself she replied,
"I think out sketches of stories and put them away in little
pigeon-holes in my brain for future use."
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