American fiction -- 19th century; Short stories, American
"I see," Voyt after a moment returned. "Your real calculation is that my
interest will be sacrificed to my vanity--so that, if your other idea is
just, the flame will in fact, and thanks to her morbid conscience,
expire by her taking fright at seeing me so pleased. But I promise you,"
he declared, "that she shan't see it. So there you are!" She kept her
eyes on him and had evidently to admit after a little that there she
was. Distinct as he had made the case, however, he wasn't yet quite
satisfied. "Why are you so sure I'm the man?"
"From the way she denies you."
"You put it to her?"
"Straight. If you hadn't been she'd of course have confessed to you--to
keep me in the dark about the real one."
Poor Voyt laughed out again. "Oh you dear souls!"
"Besides," his companion pursued, "I wasn't in want of that evidence."
"Then what other had you?"
"Her state before you came--which was what made me ask you how much you
had seen her. And her state after it," Mrs. Dyott added. "And her
state," she wound up, "while you were here."
"But her state while I was here was charming."
"Charming. That's just what I say."
She said it in a tone that placed the matter in its right light--a light
in which they appeared kindly, quite tenderly, to watch Maud wander away
into space with her lovely head bent under a theory rather too big for
it. Voyt's last word, however, was that there was just enough in it--in
the theory--for them to allow that she had not shown herself, on the
occasion of their talk, wholly bereft of sense. Her consciousness, if
they let it alone--as they of course after this mercifully must--WAS, in
the last analysis, a kind of shy romance. Not a romance like their own,
a thing to make the fortune of any author up to the mark--one who should
have the invention or who COULD have the courage; but a small scared
starved subjective satisfaction that would do her no harm and nobody
else any good. Who but a duffer--he stuck to his contention--would see
the shadow of a "story" in it?
FLICKERBRIDGE
CHAPTER I
Public-domain text, read in full here on John Shaqi.
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