Great Britain -- Social life and customs -- 19th century -- Fiction; Short stories
She stared at him, as if wondering what he meant; then she asked me if I
would join her at supper, and I declined; then went to the
dressing-table, took up a pot of vaseline and looked at her eyelashes in
the glass; then put it down again, came back to the bed, told Peter
Waydelin to cheer up, and bounced out of the room.
I could see that Waydelin was now very tired and in need of sleep. I got
up to go. The partition between the two rooms must have been very thin,
for I could hear a champagne-cork drawn, the shrill laughter of women,
men talking loudly, and chairs being moved about the floor. 'I don't
mind,' he said, seeing what I was thinking, 'so long as they don't sing.
But they won't begin to sing for two hours yet, and I can get some
sleep. Good-night. Perhaps I shall not see you again.'
'May I come again?' I said.
'I always like seeing you,' he said, smiling, and thereupon turned over
on the pillow, just as he was, and fell asleep.
I looked at his face as he lay there, with the shawl about his shoulders
and his hands outside the bedclothes. The jaw hung loose, the cheeks
were pinched with exhaustion, sweat stood out about the eyes. The sudden
collapse into sleep alarmed me. I could not leave him in such a state,
and with no one at hand but those people supping in the next room. I sat
down in a corner near the bed and waited.
As I sat there listening to the exuberant voices, I wondered by what
casual or quixotic impulse Waydelin had been led to marry the woman, and
whether the woman was really heartless because she sat drinking
champagne with her friends of the music-hall while her husband, a man of
genius in his way, lay dying in the next room. I forced myself to
acknowledge that she had probably no suspicion of how near she was to
being a widow, that Waydelin would deceive her to the end in this
matter, and the last thing in the world he would desire would be to see
Mrs. Waydelin in tears at the foot of the bed.
Public-domain text, read in full here on John Shaqi.
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