That was all. There was never any more. He did not come again. Or if he came, she was not there, since the next day they were on their way to Bremen, summoned by cable to her sister's deathbed. She never heard from him or of him again. Yet she had left her American address with his aunt for any letters that might need to be forwarded, and a stiff little note of thanks and farewell--a perfectly neutral note such as any friend might give or receive. There followed weeks crowded with sorrow and business (the sister was a widow without children, and she shared her estate with her other sister); and Margaret imputed her deep depression to these natural and sufficient causes. She rated herself for vanity in reading her own meanings into a courteous young man's looks and his intelligent interest in national difference of manners. She fostered her shame with the New Englander's zest for self-torture. But one afternoon, without warning, there fell upon her a deep and hopeless peace. It was as if some invisible power controlled and changed all the currents of her thought. She _knew_ that her friend was not faithless or careless; he was dead. She began to weep gently, thinking pitifully of his old father with the loud voice, and his fragile mother and the sister and brother and the little nephew. "Poor people," she murmured, wishing, for the first time in her life, to make some sign of her sorrow for them to them, she who always paid her toll of sympathy, but dreaded it and knew that she was clumsy. She remembered the day at the castle, and went over again each word, each look. A sensation that she could not understand, full of awe and sweetness, possessed her. It was indescribable, unthinkable, but it was also irresistible. Under its impulse she went to a trunk in another room, from which she had not yet removed all the contents, and took out her Heidelberg photographs. She said to herself that she would look at the scenes of that day. In her search she came upon a package of her own pictures which had come the morning of the day that she had gone. She could not remember any details of receiving them, except that she had been at the photographer's the day before and paid for them. When they came she was in too great agitation (they were just packing) to more than fling them into a tray. She could not tell why she took the _cartes_ out of the envelope and ran them listlessly through her fingers; but at the last of the package she uttered a cry. The last _carte_ was a picture of Max, with the inscription in his own hand, "Thine for ever." It is not exact to say that with the finding of the picture her doubt of his affection for her vanished; for in truth, she had no doubts, the possession was too absolute. But the sight came upon her as the presence of a mortal being, alive and visible, comes on one when he enters a room. And there is no question that it was a comfort; if she had really loved Max, at this