Susan Lenox: Her Fall and RisePhillips, David Graham
General
Susan Lenox: Her Fall and Rise
Phillips, David Graham
Actresses -- Fiction; Prostitutes -- Fiction; Women -- United States -- Fiction
"Oh--your friends are going to meet you at the wharf in the
morning," said he, content with his own explanation. "Just sign
here, please." And, as she wrote, he went on: "I've got one room
left. Ain't that lucky? It's a nice one, too. You'll be very
comfortable. Everybody at home well? I ain't been in Sutherland
for nigh ten years. Every week or so I think I will, and then
somehow I don't. Here's your key--number 34 right-hand side,
well down toward the far end, yonder. Two dollars, please. Thank
you--exactly right. Hope you sleep well."
"Thank you," said Susan.
She turned away with the key which was thrust through one end of
a stick about a foot long, to make it too bulky for
absent-minded passengers to pocket. She took up her bundle,
walked down the long saloon with its gilt decorations, its
crystal chandeliers, its double array of small doors, each
numbered. The clerk looked after her, admiration of the fine
curve of her shoulders, back, and hips written plain upon his
insignificant features. And it was a free admiration he would
not have dared show had she not been a daughter of
illegitimacy--a girl whose mother's "looseness" raised pleasing
if scandalous suggestions and even possibilities in the mind of
every man with a carnal eye. And not unnaturally. To think of
her was to think of the circumstances surrounding her coming
into the world; and to think of those circumstances was to think
of immorality.
Susan, all unconscious of that polluted and impudent gaze, was
soon standing before the narrow door numbered 34, as she barely
made out, for the lamps in the saloon chandeliers were turned
low. She unlocked it, entered the small clean stateroom and
deposited her bundle on the floor. With just a glance at her
quarters she hurried to the opposite door--the one giving upon
the promenade. She opened it, stepped out, crossed the deserted
deck and stood at the rail.
Public-domain text, read in full here on John Shaqi.
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