Sweet Hampstead and Its AssociationsWhite, Caroline A.
History
Sweet Hampstead and Its Associations
White, Caroline A.
Hampstead (London, England) -- History
At Frognal Rise the ground is level with Mount Vernon, but it gradually
descends, till at the ruined house (no longer standing) known in my time
as Frognal Priory it is nearly flat. Like every other part of Hampstead,
Frognal has its reminiscences. At the beginning of this century there
was still standing on the rise of the hill, where a high wall (said to
have been part of it) skirted a narrow lane leading up to Mount Vernon,
a remarkable old brick mansion, of the origin or owners of which neither
Lysons nor Park gives any account. It is picturesque, with two high
pointed gables, mullioned windows, connected by a balustraded gallery,
deep bays and dormers on the roof. Park, in his ‘History of Hampstead,’
gives an engraving of it, taken in 1814, from a picture by William
Alexander, painted in 1801. For some cause or other, the fine old fabric
had suffered neglect, and some time prior to 1725 was let in apartments.
It occupied a beautiful situation, and here, amongst other lodgers,
Colley Cibber and his theatrical friends, Booth and Wilks, were frequent
visitors in summer.
Subsequently the lease was purchased by the parochial authorities of
Hampstead, and the fine old house was converted to the uses of the
village poor-house. It seems to have served this purpose till 1800, when
it had become so decayed and ruinous, and so prejudicial to the health
and comfort of the inmates, that the minister[76] and parishioners,
with Josiah Boydell at their head,[77] petitioned Parliament for leave
to bring in a Bill to build, or provide, a new workhouse. The Bill was
granted the following May, and the mansion belonging to Mrs. Leggett at
New End being to be sold, it was purchased, and there is lying before me
the printed specification of the alterations required to fit it for its
present occupation.
From this period the old house at Frognal fell into desuetude and
decay—an interesting object to the antiquary and the delight of artists,
but daily becoming more dangerous to the public, on which account it was
taken down a few years before Park published the first edition of his
history (1813). White, of Fleet Street, published an engraving of it in
1814.
Public-domain text, read in full here on John Shaqi.
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